Word: basses
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Dates: during 1990-1999
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...evokes the spiritual hunger and empowerment gained from the three-year hiatus she took to raise a family. Etheridge's folk-rock roots come to the surface in this album on love and loss, consciousness and confusion, hope and reconciliation. The title track combines a powerful infusion of drums, bass and guitar--performed by co-producer and longtime touring guitarist John Shanks--with Etheridge's characteristic sultry leads and honest, truthful lyrics ("So you're having a breakdown/so you're losing your might/and I'm driving/and crying/unraveled/and flying/I'm coming to your breakdown tonight") that tear at your entire being...
...company, which owns the Westin and Sheraton chains, is currently busy rolling out the self-consciously hip W line of hotels in 16 cities, including Seattle, Atlanta, Chicago and Los Angeles. Hyatt is opening more of its smaller, luxury Park Hyatt brand--boutiques for grownups--while Marriott and Bass hotels are taking notes...
...before. The band played a strong and entertaining set at Woodstock '99, but something went very wrong for College Rave. In between songs, lead singer Joshua Todd talked about little else other than doing lines. When Todd was not mumbling, he often sang way off key, and the guitar, bass and drums were rarely in time with one another. The crowd only responded mildly to the radio hits "Lit-Up" and "For the Movies" and spent the rest of the set awaiting the next performer...
...Burren was maybe not the ideal venue for the band, since space was tight, but folks were definitely moving to old favorites like "Hurts So Bad," a jumping reggae romp with a mercilessly catchy beat. Ty Gibbons' six-string fretless bass moved beautifully in some of their slower songs like "Sweet May Hill", while Ian Steams' precise guitar-work was more delta blues than plain ol' rock-and-roll. Refreshingly, there was no one lead singer or star to this show--the guitar and bass were mic-ed equally, the drums and Frisbay's scat were given their...
...pieces of white trash from [lousy] Detroit and put clown makeup on them and you've got another band. It's not [really] music. I'm sorry, but you know what--I can get a seven string guitar, I can tune it down two steps and play with some bass guitar effects, I can get some numbskull to [mess] with their turntable and you know what--I too can be Limp Bizkit, I too can be Korn. I can run around in reverse Black Face; I can paint my face white and put on stupid little dark circles...