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Word: basses (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Under Pratt's fingers, the individual variations that were good became great. Even in some of the fastest moving ones Pratt brought out long singing lines. And when he chose to pay attention to the bass--that is, when the left hand took over--the music reinvented itself. But sometimes, sadly, the left hand all but disappeared. The tempi, too, were occasionally irregular...

Author: By Matthew A. Carter, CRIMSON STAFF WRITER | Title: Amazin' Awadagin Hits Boston | 11/21/1997 | See Source »

Together with the expert riffs of Dave Navarro and, here, the now seductive, now speedy bass plucking of Flea, the meaning of "soundscape" and "integrity"--in the literal sense of fullness--becomes clear. With the exception of something like "Been Caught Stealing," with its eminently marketable dog barks and MTV mock-shock video, Jane's Addiction has always had the ability to make one forget about the asphyxiating, essentially D.O.A. verse-refrain structure of the rock song. The proof is in the aural pudding--smooth, textured, not strung together...

Author: By Nicolas R. Rapold, CRIMSON STAFF WRITER | Title: A New Addiction: Fumbling Toward Ecstasy | 11/21/1997 | See Source »

Jane's Addiction hadn't played anything from the somewhat popular Kettle Whistle, but they did improve upon the tried and true. This was concert as subtle interpretation, a process of intelligent selection that brought out trademark opening bass riffs, for example, but chose to twist slightly the solemn hollering of "Mountain Song." Overcoming the odds, the band and the man who founded Lollapalooza had a very convincing, very good relapse, with music so full you could breathe...

Author: By Nicolas R. Rapold, CRIMSON STAFF WRITER | Title: A New Addiction: Fumbling Toward Ecstasy | 11/21/1997 | See Source »

...hardcore hip-hop group Wu-Tang Clan. I-Testament also boasts street-wise, street-tough swagger. Capleton's vocals are a mix of slurred rap, chanting and Jamaican patois, supported by R.-and-B. backup singers. His songs are often built around samples; Original Man draws liberally from the bass groove of Lou Reed's Walk on the Wild Side. Capleton's talent lies in his ability to fuse gangsta-rap energy with socially conscious lyrics: the album's premier track, It Hurts My Heart, explodes with vitality and purpose...

Author: /time Magazine | Title: MUSIC: THE ROAR OF NEW REGGAE | 11/17/1997 | See Source »

Robert Sledge (bass guitar): I like Boston. It's cool, I haven't really been around that much, but I think we've played all the clubs here now. They have a similar style...

Author: By Sumeet Garg, CONTRIBUTING WRITER | Title: The Southern Comfort of Lunatic Showmen: Feeling the' Five | 11/14/1997 | See Source »

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