Word: basses
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Dates: during 1990-1999
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...title track, with its punky-paced, unrestrained musical journey in Hanley's car, again highlights Polce and emphasizes the talented band members--Greg McKenna and Michael Eisenstein on guitar and Scott Riebling on bass--and guest organist Jed Parish. With an attractive female lead, the men sometimes get pushed to the background, but they are essential in completing the perfect pop rock sound of Letters To Cleo, especially on a song like "GO!". With Hanley's ecstatic voice, the band's instruments wailing with heed to precise dynamics and a circuslike organ bopping along to the automobile antics, the song...
...urged Americans to create a Russian buffet for 24 guests featuring coulibiac of bass; to make egg topiaries; to etch their own glass; and to garnish their Easter hams with grass so fresh from the yard that the morning dew had yet to disappear. She upstaged First Lady Hillary Clinton in wreath making, and the First Lady of Cooking, Julia Child, in pastry making. And she has admitted, without reservation, her determination to take over Christmas. So revitalizing K Mart, the $32 billion discount-store dud, should be a piece of cake for Martha Stewart...
...these recordings reflect a serious departure from the structures and techniques of mainstream jazz of the time. Complex, static song structures were inhibiting what Coltrane wanted to do musically and he began looking towards Eastern ethnic music for influence. Coltrane began to experiment with instrumentation to dramatic effect, using bass clarinet, contrabassoon, oboe, oud and a second bass in different combinations...
...which are Coltrane originals, are arranged by order of performance. The first cut, "India," immediately reveals the unique musical direction Coltrane was pursuing. The droning, buzzing sound of the oud, a Middle Eastern lute-type instrument, is the first sound to present itself, followed by Coltrane's and bass clarinetist Eric Dolphy's repetition of a hypnotic two-note motif. In the solo section, the performance assumes the format of much of the music on this collection-dense, angular horn soloing over essentially no chord changes. Even the appreciative listener has difficulty comprehending the music upon first exposure, and judging...
...next tune, "Chasin' the Trane," is a contrast in several ways: first, it is played in a trio format with just horn, bass and drums. The song's standard 12-bar blues form also contrasts with the exotic eastern style of "India." Without a written melody or a pianist to play chords, "Chasin'" has a uniquely spare sound, and the second version is perhaps the most prominent and audacious of the tracks on the collection. Whether this performance comes off as one of the finest examples of spontaneous musical invention ever or as 15 minutes of earsplitting squeaks, is heavily...