Word: basses
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...Transitions,” is hardly a change—if anything, the album shows not growth but regression; Leslie’s tracks seem emptier and more unimaginative. The opening of “You’re Not My Girl,” for example, mimcs the bass line on Queen’s “Another One Bites the Dust,” making use of an almost identical rhythmic structure. The song is more than unoriginal, however; it feels sparse and cheap, a sense that arises from Leslie’s lack of bass...
...playing was a kind of soft rock, pop, instrumental music. Their campaign was about legacy, "We've been selling great-fitting jeans for 40 years." Then I walked into an Express store. The music was up-tempo and hipper. It wasn't edgy, but there was a lot more bass. Instead of legacy sales, it all had to do with trend. The layered look is very in right now; by selling things that go together there is a much greater chance that a store is going to sell you more than one item...
...forced numerous resorts along the Mediterranean coast to shut their beaches. In Corsica and Tuscany, several swimmers were wounded by Portuguese man-of-wars, jellyfish-like creatures with a potentially fatal sting. In Tunisia, a swarm of jellyfish engulfed a fish farm, killing the year's production of sea bass and sea bream...
Instead, you see the reanimation of various well-known images - like Earhart standing on the wing of her plane - by an actress giving a very studied and careful but wooden performance. Screenwriters Ron Bass and Anna Hamilton Phelan (Gorillas in the Mist) appear to have gobbled up every quotable line ever attributed to Earhart and then regurgitated it into a script. The results may be mostly accurate (both East to the Dawn, Susan Butler's 1997 biography, and Mary S. Lovell's earlier The Sound of Wings are credited as the basis for the screenplay), but they veer between...
...balance with a heavier, metallic sound. From beginning to end, “10,000 Feet” is filled with dark, sadistic, repeated low-note chords, a dominating drum set, and shrill, bestial screams. “Sundial” features intricate guitar riffs sequenced with driving, propulsive bass strangely reminiscent of a Black Sabbath throwback. The tracks maintain Wolfmother’s characteristic clumsy, hard rock style...