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...life." But once Taniguchi focused on his design and began pointing out the salient features of his model, says Riley, "there came this whole level of revelation and excitement." The committee, made up of heavy-hitting art collectors like cosmetics mogul Ronald Lauder and billionaire financier Sid Bass, unanimously approved Taniguchi's plan...

Author: /time Magazine | Title: Radical Restraint | 11/22/2004 | See Source »

...Monheit. Monheit, discovered in 1998 at the age of 20, has reached a level of international success in the past six years that she will share with a Harvard crowd for one night only. Instrumentalists Miles Okazaki on the saxophone, Michael Kanan on the piano, Orlando LaFleming on the bass, and Rick Montalbano on the drums will accompany Ms. Monheit during the two-hour exhibition. Tickets $22.50 and $27.50, available at the Harvard Box Office. 8 p.m. Sanders Theater...

Author: NO WRITER ATTRIBUTED | Title: Happening | 11/19/2004 | See Source »

Pinker says that Summers also played a role in helping Kirby call upon some of the most well regarded members of the faculty to take part in this reevaluation. In addition to Kirshner, Kirby also asked Professor of English Louis Menand, Pinker, Bass Professor of Government Michael J. Sandel and Professor of Romance Languages and Literature Diana Sorensen, who co-chaired the working group on concentrations last year...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: Summers Wades Into Core Review | 11/19/2004 | See Source »

...professor for his ability to put readings and subject material into the bigger context and for the interactive questions he fits into class. Similarly, the immense Moral Reasoning course of years past, “Justice,” has been roundly applauded for its engaging lectures—Bass Professor of Government Michael J. Sandel somehow manages to carry on questioning and answering from one end of Sanders Theatre to the other. These lectures are able to achieve the desirable end of learning with interaction, which pure discussion classes sometimes fail...

Author: By N. KATHY Lin, | Title: Steering on Track | 11/17/2004 | See Source »

...instrumentation and beats, and his habit of singing in Arabic, has often led critics to classify his records as fusion or world music, a label that confounds him. Taha makes lavish use of traditional Arab instruments like the oud lute, and string and wind sections, driven forward by electric bass and guitars, rock backbeats, and even the odd hip-hop influence. "When the Beatles or Led Zep used Eastern influences or instruments, it was said to add ambiance or texture," he muses. "But when an Arab does that, it's said to be traditional and exotic." Tékitoi? might...

Author: /time Magazine | Title: Rock 'n' Roll, Arab Style | 11/14/2004 | See Source »

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