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...title track, with its punky-paced, unrestrained musical journey in Hanley's car, again highlights Polce and emphasizes the talented band members--Greg McKenna and Michael Eisenstein on guitar and Scott Riebling on bass--and guest organist Jed Parish. With an attractive female lead, the men sometimes get pushed to the background, but they are essential in completing the perfect pop rock sound of Letters To Cleo, especially on a song like "GO!". With Hanley's ecstatic voice, the band's instruments wailing with heed to precise dynamics and a circuslike organ bopping along to the automobile antics, the song...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: Dear Cleo: Keep Up the Good Work | 10/10/1997 | See Source »

...first two discs, Fillmore West and Fillmore East, were recorded in the spring of 1970. They provide a bridge between Miles's earlier work and the rest of the series. With Chick Corea on a very plugged-in piano and Dave Holland on electric bass, the sound of the music is transformed and moves into a startling mixture of jazz and funk. The synergy between the musicians in this small ensemble format is remarkable, and the interplay is at times breathtaking. The sound is a mixture of classic jazz approaches and louder, contemporary rock music techniques. Taking the overall feel...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: Kind of Blue And Very Live | 10/10/1997 | See Source »

...deep it sounds like they might never come up. It is 1972, and the old rhythm section has replaced by a new one whose grounding is purely R&B. The difference shows itself as mind-bending, morphing rhythms are replaced by swirling cymbal crashes and striking beats. Dizzying bass acrobatics are replaced by percolating, rock-steady lines. The band seems to find one voice, and in tracks stretching up to 30 minutes long, the musicians lay into one repetitive groove after another with a vengeance. Miles, in the center of it all as always, works the wah-wah pedal relentlessly...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: Kind of Blue And Very Live | 10/10/1997 | See Source »

...urged Americans to create a Russian buffet for 24 guests featuring coulibiac of bass; to make egg topiaries; to etch their own glass; and to garnish their Easter hams with grass so fresh from the yard that the morning dew had yet to disappear. She upstaged First Lady Hillary Clinton in wreath making, and the First Lady of Cooking, Julia Child, in pastry making. And she has admitted, without reservation, her determination to take over Christmas. So revitalizing K Mart, the $32 billion discount-store dud, should be a piece of cake for Martha Stewart...

Author: /time Magazine | Title: ATTENTION K MARTHA SHOPPERS | 10/6/1997 | See Source »

...next tune, "Chasin' the Trane," is a contrast in several ways: first, it is played in a trio format with just horn, bass and drums. The song's standard 12-bar blues form also contrasts with the exotic eastern style of "India." Without a written melody or a pianist to play chords, "Chasin'" has a uniquely spare sound, and the second version is perhaps the most prominent and audacious of the tracks on the collection. Whether this performance comes off as one of the finest examples of spontaneous musical invention ever or as 15 minutes of earsplitting squeaks, is heavily...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: The Jazz Fortune Coltrane Left Behind | 10/3/1997 | See Source »

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