Word: basses
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Many know him as a bass in the Harvard Glee Club, in which he earned a coveted spot as a first-year...
...Bounty or the Caine. Actually, this is a three-mutiny movie: commanders change faster than Italian Prime Ministers. This king-of-the-hill game gives Hackman, Washington and their cohort the chance to run around the submarine with guns and scowls. The milling is underscored with a heavy bass line that will leave moviegoers' bottoms tingling; and it is shot with lots of close-ups of manly jawlines, as if every sailor were posing to be sculpted like the U.S. Presidents onto Mount Rushmore. When in doubt, director Tony Scott (Top Gun, Days of Thunder) lets loose a spray...
...seventh track, "Arkansas Traveler," poignantly illustrates Fleck's impressive ability to integrate disparate musical instruments and styles. The song begins with Fleck picking a simple folk melody alone. After several bars, percussion and bass lines emerge, sounding like the rhythm section of an Oscar Peterson album. The interplay between the banjo's folk melody and the jazz rhythms established by the drums and acoustic bass is astoundingly coherent. The phrasing is completely jazz, but the sound remains folk...
...crowd whirls and twirls to an infectious two-step. A young boy tickles the ribs of a frottoir, a washboard-like instrument, with a pair of spoons-zhicka-zhicka, zhicka-zhicka-as a sultry teenage girl in a red Janet Jackson cap thumps out a beat on her electric bass guitar. Keith Frank, their brother and leader of the Soileau Zydeco Band, has the mike. "Get on, boy!" he sings, accompanied by a repetitive, irresistibly danceable rhythm: "Ow! Wooo! Get ready...
...accordion may bring to mind visions of polkas and Lawrence Welk, but to the Cajuns it is the cornerstone of their distinctive sound. First introduced into Louisiana in 1850, the diatonic Cajun accordion has 10 melody buttons (instead of the more familiar piano keys) on one side and two bass accompaniment buttons on the other. "The Cajuns liked the accordion for two reasons," says Savoy. "No. 1, you could break half the metal reeds and it would still play. And No. 2, it was loud...