Word: basses
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...Bass player Timothy B. Schmit, a former member of Poco who replaces Meisner, adds a new dimension to the Eagles, tempering the fury of The Long Run with his romantic "I Can't Tell You Why." Schmit's haunting tenor elevates run-of-the-mill lyrics to a sensitive, convincing level. In fact, the cut epitomizes what makes the good songs on this album click: they're from the heart, reflecting the experience and professionalism of the band members--they indicate the Eagles' ability to work creatively witnin the framework of their talents...
...Bass Player John McVie and Drummer Mick Fleetwood provide sonic propulsion as Buckingham's melodies range widely and easily between old English folk and avant-garde pop. The sound sometimes flirts with the sort of revisions of Eng lish folk idiom that Fairport Convention used to bring off with such foursquare inspiration, and sometimes, as in the title cut, skirts the sonic experiments conducted by Lennon and McCartney on songs like Revolution...
...certainly right, for his own songs, where the musical energy of composers Dick Wagner and Michael Kamen matches Curry's, forcefully backing him up and showcasing his vocals. Raw guitar melds with a heavy bass-percussion rhythm and emotional saxophone screams in cathartic outpourings...a release, so to speak. Tense pauses let Curry deliver his hypnotic soliloquies before consummating the pieces in thunderous conclusions. Unfortunately, a couple of slow, boring love ballads that spew out countless cliches by Dick Wagner made it onto the record. Curry gives them his best, but vapidity is a tough opponent. But a dramatic rendition...
...figure is imposing-tall, a bit jowly, dressed like a businessman in a dark three-piece suit. The backdrop, massed American flags and a 33-member choir of attractive college kids scrubbed to a sparkle, is Fourth of July inspiring. The words are measured out in an avuncular bass. God loves America above all nations, the preacher says, but the U.S. is sure giving heaven a hard time. Amens come from the crowd as the pastor inveighs against all the "infidels and in-for-hells." He scourges the Federal Government for fostering socialism, the public school system for making "humanism...
...Drummer Kenny Jones hit the downbeat. John Entwistle ran out a bass line as strong as a backbone. Roger Daltrey strutted and sang, and Pete Townshend, leaping, launched them all into Substitute. At that opening moment last week, The Who set new standards, redeemed old promises and put a few ghosts to rest. These concerts may become not only one of the seminal rock events of 1979 but a route dynamited into the new decade...