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Unfortunately, their new movie, The Kids Are Alright and its soundtrack album don't nearly do justice to the band's legendary performing style. Peter Townshend plays his guitar by rotating his arm like a vertical helicopter blade; Moon grins and leers through drum solos; John Entwistle, like all bass players, stands expressionless. You can see all this in The Kids Are Alright; but you miss the music. For some reason, Jeff Stein--who put the movie together--chose a few very good film sequences and mixed them up, without any sense of order, with a lot of trashy ones...

Author: By Scott A. Rosenberg, | Title: My Generation, Past Thirty | 7/27/1979 | See Source »

Good Harbor Beach and Bass Rocks, Gloucester. Your average, populated North Shore beach. Go up route 128 to Gloucester and ask directions--the roadwork in this town is fairly complicated. Don't expect too much--despite the beautiful beach and rocky shores nearby, there is a lot of trash and teenage waste. Free, if you can park...

Author: By David A. Demilo, | Title: Like Lemmings to the Sea... | 7/6/1979 | See Source »

...could not be in the hands of a better cast. Sounding a bit like the bastard son of Bugs Bunny and Humphrey Bogart, Falk delivers his wildest speeches with a cool sincerity that bespeaks true comic madness. Arkin is the wailing violin that accompanies Falk's gravel-toned bass. Together these actors form the funniest comic team since Zero Mostel met Gene Wilder in Brooks' The Producers. Not only should the in-laws reunite as soon as possible, but they should also bring Co-Star Libertini back for another ride. His rapid-fire portrayal of the martinet, General...

Author: /time Magazine | Title: Cinema: Bananas | 6/18/1979 | See Source »

Osborn's new book displays an unfortunate tendency to unity of form and content. Sam Weston, a fledgling associate at Bass and Marshall, is somewhat at sea in what Osborn portrays as a paranoid, chaotic world of a Wall Street firm. Likewise, Osborn's writing flounders--his conversational tone includes all the usual non-sequiturs, flaws of grammar, and fragmented sentences, and none of the spontaneity. His imagery floats aimlessly is a sea of conventionality, occasionally grasping at some hapless metaphor and squeezing the life from...

Author: By Katherine P. States, | Title: After Law School--What? | 5/25/1979 | See Source »

...tame love story. When it's all over and done with, Osborn straddles the only issue he raises--is the Wall Street rat race worth it? Weston's friend, Littlefield, drops out only to land gloriously as a Yale Law School professor, and Weston and Newton, although they leave Bass and Marshall, still seem in awe of the grand old head of the firm, Cosmo Bass, and are fairly well indoctrinated, if somewhat rambunctious...

Author: By Katherine P. States, | Title: After Law School--What? | 5/25/1979 | See Source »

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