Word: basses
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...squalls. In the tiny hamlet of Komali in Andhra state, on the Bay of Bengal, the parson of Christ Church flung open the church doors and called his flock from their thatched houses. "Come unto me, all ye that labor and are heavy laden," he intoned in a deep bass, "and I will give you rest." About 125 villagers, most of them harijan (untouchable) converts, took shelter. When winds ranging up to 100 m.p.h. ripped off the roof, the walls crumbled and entombed the congregation; all were found dead the next day. Rosaiah, the village agnostic who lost his wife...
...album. The transitions between pieces in the medley are not smooth, and the thematic connections are not clear enough to lend the the medley a sense of unity. The medley on side two, however, is a strong, well-planned cut with good transitions throughout. While the drums and electric bass prevent it from merely imitating Irish traditional music, the piece remains true to the feel of the Gaelic sound...
...throughout the album, Bromberg holds himself back, never displaying the sheer virtuousity he has shown himself to be capable of. At the start of the song, for example, he offers only a few bars of tasty rag picking before drowning the guitar out in a melange of horns, mandolin, bass and drums. Although the absence of flash is somewhat disappointing, Bromberg's restraint makes for a well-integrated, solid sound...
With only piano, harp and bass at his disposal, musical director and piantist Dan Ullman achieves a surprising spectrum of moods with the score. Except for the touching ballad "Try to Remember," the songs are musically undistinguished. Still, the musical numbers are the strong points of the show. Matt and Luisa's closing duet, staged with admirable restraint, nearly redeems the dialogue that precedes it--and it would completely if Schmidt and Jones didn't feel obligated to insert El Gallo at the end with another substanceless speech...
...famous is the air, better known--and better forgotten--in its romanticized solo version as the "Air for the G String." The orchestra played superbly: enormous lyricism and sweetness never obscured the tightly-crafted framework, the silvery line of the upper strings poised against the muted rhythms of the bass. Far from being "mushy" or banal, Wilkins's reading was almost reverent, hushed and glowing...