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...Music 1,' and, with Disco still riding the crest of popularity that made "A Fifth of Beethoven" a fave-rave among Music concentrators a few years back, this little oeuvre of a gem of a course may very well make it into the Confi Guide next year. That thumping bass, those strings-from-outa-nowhere--Garshk-only-knows ol' Schubert--if he had it to do all over again--woulda called it 'Schubert's Unfinished Disco Symphony...

Author: NO WRITER ATTRIBUTED | Title: Disco 1, Mopeds 0 | 10/6/1977 | See Source »

Boston will get a taste of two of the best jazz bass players in the country over the next 10 days-Ron Carter will be at the Jazz Workshop Tuesday and Wednesday, followed by Charlie Mingus at the Paradise Club...

Author: By Payne L. Templeton, | Title: Mingus, Carter: Back to Bassists | 10/6/1977 | See Source »

Mingus, Carter's senior, was one of the '60s bassists who brought the bass into maturity as a jazz instrument, pioneering its use for improvisation, rather than solely rhythm. Mingus remains the most famous of these bassists, and is one of the few bass players now receiving acclaim for original composition...

Author: By Payne L. Templeton, | Title: Mingus, Carter: Back to Bassists | 10/6/1977 | See Source »

...rollers, the sandwich of photographic papers is raised, by rope and pulley, toward the ceiling. Then the sandwich is lowered to the floor, and the negative is lifted off, revealing the huge full-color print. "It's nothing but a small Polaroid process made larger," says Technician Peter Bass...

Author: /time Magazine | Title: Science: Getting the Big Picture | 9/26/1977 | See Source »

...much too adventurous with the sacred scores to please his colleagues. He was never afraid to experiment with sound, and was one of the rare few performers who would do so in a concert hall. On one occasion, he added electronic devices to the orchestra, to augment the double basses in a composition that he thought needed an extra heavy bass. Experiments in the association of color and sound that were done early in the century caught Stokowski's fascination. He once used a color machine during a performance of Rimsky-Korsakov's Scheherazade, to heighten the effect...

Author: By Judy Kogan, | Title: The Baton Also Rises | 9/20/1977 | See Source »

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