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Word: basses (lookup in dictionary) (lookup stats)
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...impressed with his dancing prowess. “He exceeded my expectations,” she said. “He’s a natural.” When Mariah Carey’s “We Belong Together” blared over the speakers, Nicole J. Bass ’09 locked hands with the former treasury secretary for a slow dance. “It was the thrill of my life,” she said. “He’s a sex god.” Early in the evening, New offered...

Author: By Nicholas M. Ciarelli, Javier C. Hernandez, and Daniel J. T. Schuker, CRIMSON STAFF WRITERSS | Title: Summers Tempers His Groove | 1/6/2006 | See Source »

...Secrets of Happily Married Men: Eight Ways to Win Your Wife's Heart Forever by Dr. Scott Haltzman (Jossey-Bass...

Author: /time Magazine | Title: 6 Books for a Better You in 2006 | 12/27/2005 | See Source »

...takes Lou Reed’s “Take a Walk on the Wild Side,” relatively unadorned, as its beat. Unsurprisingly, the lines about “colored girls” singing didn’t make the transition, but the laid-back bass line survives amid Afrocentric lyrical nuggets...

Author: By Vinita M. Alexander, Ben B. Chung, Daniel J. Hemel, Marianne F. Kaletzky, Kristina M. Moore, Will B. Payne, Abe J. Riesman, and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: Executive Decisions | 12/15/2005 | See Source »

...only do old-school duo and fellow TV fans 3rd Bass sample dialogue from comedian Steve Martin and Dan Aykroyd’s Saturday Night Live routine “Wild And Crazy Guys” on their song “Brooklyn-Queens,” but their peers in EPMD have a whole song called “The Steve Martin,” all about his funky dance in “The Jerk.” Talk about an unlikely hip-hop icon...

Author: By Vinita M. Alexander, Ben B. Chung, Daniel J. Hemel, Marianne F. Kaletzky, Kristina M. Moore, Will B. Payne, Abe J. Riesman, and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: Executive Decisions | 12/15/2005 | See Source »

...Alone Again Or,” with bouncy chords and exuberant trumpets exciting the crowd, who eagerly followed Burns’ lead in providing a hand-clap accompaniment. The explicitly political “All Systems Red” ended with a burst of crash cymbal, driving bass, and squealing guitar, providing a wall of noise that accentuated the frustration of Burns’ lyrics. This somber spirit of protest was countered by an extended version of “Güero Canelo,” featuring high, rolling trumpet solos, Richie Valens-esque guitar, and a dance-happy...

Author: By Patrick R. Chesnut, CONTRIBUTING WRITER | Title: It's A Wonderful Team-Up | 12/15/2005 | See Source »

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