Word: bassing
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...somehow person after person after person has persuaded me to pull an all-nighter so they can show me their little slice of Vegas--their glossy strip club, their late-night pool-cabana scene, their Studio 54, their swank ultralounge. And now, at an after-hours nightclub, the bass pumping, my eyes jolted open every few seconds by the shock of manufactured cleavage, they are offering me a beer. Not even a light beer. All I wanted was to see a nice Cirque du Soleil show, work my expense account at Le Cirque with my only famous friend, Robert Goulet...
...somehow person after person after person has persuaded me to pull an all-nighter so they can show me their little slice of Vegas - their glossy strip club, their late-night pool-cabana scene, their Studio 54, their swank ultralounge. And now, at an after-hours nightclub, the bass pumping, my eyes jolted open every few seconds by the shock of manufactured cleavage, they are offering me a beer. All I wanted was to see a nice Cirque du Soleil show, work my expense account at Le Cirque with my only famous friend, Robert Goulet, and crash...
...same holds true for opera: on any given night, whether at a leading international house or a provincial company, the languishing soprano heroine or the menacing bass villain is now likely to come from East Asia?particularly Korea. The lyric soprano Hei-Kyung Hong and the coloratura soprano Sumi Jo currently dominate their roles to a degree unrivaled by any Western singers...
...wisdom has it that video games based on movies are supposed to be lousy, but The Chronicles of Riddick: Escape from Butcher Bay (Xbox; $50) might just be better than the movies (Pitch Black and The Chronicles of Riddick) it was spun off from. In Butcher Bay, the bald, bass-voiced badass Riddick has just been locked up in a high-security sci-fi slammer, and he's hell-bent on shivving and shooting his way out of it. Game play is a tasty mix of hand-to-hand fighting and gunplay, relieved by some smartly scripted role playing...
Died. Nicolai Ghiaurov, 74, Bulgarian bass whose warm, rich voice and striking stage presence carried him through almost a half-century of opera stardom; of heart failure; in Modena, Italy. He debuted at New York City's Metropolitan Opera in 1965 as Mephistopheles in Gounod's Faust and went on to such signature roles as King Philip in Verdi's Don Carlo and the title role in Moussorgsky's Boris Godounov...