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Standing on stage in Sanders Theater, Anne T. and Robert M. Bass Professor of Government Michael J. Sandel has the capacity to perplex, provoke, frustrate and—above all—engage hundreds of undergraduate students. Over the years, his Moral Reasoning 22, “Justice,” has become an institution and made Sandel a larger-than-life figure...

Author: By Nathaniel F. Houghteling and Sarah E.F. Milov, CONTRIBUTING WRITERSS | Title: Pen and Paper Revolutionaries: Not Just Your Justice Prof; Sandel Advises as He Theorizes | 3/18/2004 | See Source »

...unforced, not something merely demanded by the script. Hillhouse had many fine moments, exhibiting a crisp, clear voice and a talent for knowing how to throw away a line to get a laugh. Shalhoub handled Beth’s vocal and physical handicaps expertly throughout the show, and Bass offered the right note of impassioned incredulity as Beth’s unwilling love interest...

Author: By Benjamin J. Soskin, CRIMSON STAFF WRITER | Title: Review: Delusions of the Mind | 3/15/2004 | See Source »

...Franz Ferdinand isn't out to make poetry; these musicians are out to make you move your feet, and their giddy soul is revealed in every trick they use to get the job done. Pace shifts are everywhere; they crib harmonies from the Beatles and bass lines from Kool & the Gang. To close the ebullient Darts of Pleasure, they sing in German. They can be arch, but they are not elitists, and they are way too exuberant to be judgmental. Unlike some people. --By Josh Tyrangiel

Author: /time Magazine | Title: Music: A Band You Wish You Hated | 3/15/2004 | See Source »

...only do these vital virtuosos continue to perform, but most also teach, providing a critical link to a celebrated musical past. Bass player Homer Mensch, 89, learned orchestra playing from conducting greats Arturo Toscanini and Leonard Bernstein. Sandor grew up studying piano at Budapest's Liszt Academy with Bela Bartok, one of the 20th century's greatest composers. "[Bartok] listened to you and then played whatever you were trying to play," says Sandor of his teacher. "Technique is a difficult thing to put into words...

Author: /time Magazine | Title: Still on the Beat | 3/15/2004 | See Source »

...People say, 'You're crazy. You should slow down,'" Behrend remarks. "But why retire? What I love more than anything is teaching and playing the violin." Legendary lyric bass Daniel Ferro, 82, concurs. "I couldn't think of retiring," says Ferro, who still has a booming voice. "I would be bored to tears. I'll probably die at the keyboard...

Author: /time Magazine | Title: Still on the Beat | 3/15/2004 | See Source »

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