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Word: bassist (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

CHICK COREA, NOW HE SINGS, NOW HE SOBS (Solid State). The new pianist in Miles' regular group, Corea creates airy, crystal lines that have an almost fugal precision. Working here with Bassist Miroslav Vitous and Drummer Roy Haynes, the self-possessed young player neither sings nor sobs but delivers fleet atonal improvisations, buoyed by light chords that almost never come to a resolution...

Author: /time Magazine | Title: Television: Sep. 19, 1969 | 9/19/1969 | See Source »

CRAIG HUNDLEY TRIO & ORCHESTRA (World Pacific). Here is an album that will make listeners want to throw themselves into the generation gap. At fifteen, Hundley cannot get a driver's license, but he can play the piano in stunning style. With Bassist Stuffy McKinney, 16, Drummer Gary Chase, 15, and a big band arranged by Don Sebesky and Allyn Ferguson, Hundley shows a flair for rock rhythms, displays an affection for Sonny Rollins tunes and contributes two appealing compositions...

Author: /time Magazine | Title: Television: Sep. 19, 1969 | 9/19/1969 | See Source »

...most promising new Supergroup so far is an English foursome called Blind Faith. Its members: Singer-Pianist-Guitarist Stevie Winwood, 21, formerly of Traffic; Bassist-Electric Violinist Rick Grech, 23, from Family; Guitarist Eric Clapton, 24, and Drummer Ginger Baker, 30, who were two-thirds of the rock trio called Cream, which broke up last fall. Despite the heavy dose of Cream in its makeup, Blind Faith has a more relaxed, genial and lyrical quality than its predecessor. Musically speaking, Cream was an equal partnership of three hard-driving individualists, who broke up at the peak of their success from...

Author: /time Magazine | Title: Rock: Jam from Old Cream | 8/29/1969 | See Source »

After Sun Ra, the program returned to more conventional jazz. Phil Woods' European Rhythm Machine seems to be the frame for his alto virtuosity that he has been looking for. Woods by no means carries the group, as several bass, piano, and drum solos demonstrated. Bassist Eddie Young of Young-Holt Unlimited has a good time on stage, too--so did we. The Bill Evans group by itself is a good jazz combo; it becomes great when Jeremy Steig walks on stage to add his lyrical flute. And the guitar of Kenny Burrell was--as it always has been--very...

Author: By Jerald R. Gerst, | Title: Newport Jaz: I | 7/8/1969 | See Source »

Slow Drag Pavageau had been the regular bassist with the George Lewis band and with Bunk Johnson before that. He had worked with George for almost 30 years, and had toured all over Europe with him. He had been the grand dad of the group, and now--at 80--he was hospitalized with stomach cancer. Drag was a delightful little man, a creole who spoke little English that was intelligible, and a lot of creole French that no one understood but him. He had grown up--like many New Orleans jazzmen--in a French speaking family, and seemed to personify...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

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