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Harvey Brooks and the Fabulous Rhinestones finish Saturday at Sandy's in Beverly on the North Shore. Brooks, the bassist who leads the fast-moving soul band, has the same name as Harvard's dean of Engineering and Applied Physics, and rumor has it they're actually the same person. Check...

Author: NO WRITER ATTRIBUTED | Title: MUSIC | 8/2/1974 | See Source »

...James and the Latin style of Tito Puente. At Carnegie Hall, Pianist Keith Jarrett will spin forth some of the most elegant, technically proficient, classically tinted jazz since Art Tatum. On another night, Vibraharpist Lionel Hampton and Pianist Teddy Wilson will mix it up with Drummer Buddy Rich and Bassist Milt Hinton in what should be a vital remembrance of the swing...

Author: /time Magazine | Title: Music: Improvising on the Beat | 7/8/1974 | See Source »

...Return to Forever and McLaughlin's Mahavishnu Orchestra. For one thing, there is an emphasis on individual, yet simultaneous virtuosity--an easy semantic way to take note of the disciplined nature of both music and musicians. Each rests securely on a foundation provided by the rhythm section (In fact, bassist Stan Clarke is arguably Return to Forever's best musician). On record, these similarities are enhanced--certain themes and often whole passages will simply sound the same. Onstage, though, all similarities just fall away...

Author: By Freddy Boyd, | Title: Miles's Favorite Child | 1/30/1974 | See Source »

...grace, particularly in "I'm One," and the opening of "5:15." He plays with power, though. Live versions of "Bell Boy" and "The Punk Meets the Godfather" were exercises in controlled violence--loud, vehement, essential--sinple progressions and lines manipulated through pure volume to extract peak effect. Bassist John Alec Entwhistle continues to anchor the band. Dour, rigid, dressed in black, surrounded by performers, he receives little attention. Yet often as not he's playing as much of the lead as Townshend; his progressions on "The Real Me," and his work with Keith Moon on "Drowned" were truly stunning...

Author: By Freddy Boyd, | Title: Quadrophenia: Townshend Redux | 12/13/1973 | See Source »

...could rave on and on about the rare delights of this highly unusual show; and one rave at least should go to English Bassist Ray Cane and his fluent onstage combo that keeps the Eastside Playhouse in the earthquake zone. *T.E. Kalem

Author: /time Magazine | Title: The Theater: Uncle Vanya Unwinds | 7/9/1973 | See Source »

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