Word: bassist
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...Blessed, a punk band which played its first gig on Christmas Day in New York. Before their debut performance, they had practiced a total of three times, once with no microphone and a cardboard box as drums. None of the band members owns equipment, except Howie, the bassist, and Nick picked up a guitar for the first time three weeks before their debut. They maintain that they are the real punks. "These people are too old to call themselves punks. If you're going to sing about being a teenager, you might as well...
...American debut was a tame, almost respectable happening. Johnny did not throw empty beer bottles at the audience. All he did was blow his nose a lot. Guitarist Steve Jones did not vomit, though in the past he has proved he has the stomach for it. Nor did Bassist Sid Vicious sputter forth more than a few four-letter words. Sid did manage to draw cheers when he removed his shirt and revealed the torso of a 90-lb. weakling. Both
...musician famed for his ability to play three instruments simultaneously; of as yet undetermined causes; in Bloomington, Ind. Kirk played the manzello (a quasi-saxophone), the stritch (a horn resembling a dented blunderbuss) and the tenor sax together, combining themes of Brazilian Composer Villa-Lobos, Atonalist Arnold Schonberg and Bassist Charlie Mingus...
Leaving aside Coster's more brilliant moments on "Reach Up" and a couple of other songs, Festival is most assuredly a Carlos Santana record. Areas and congo drummer Raul Rekow supply some noteworthy percussion work on "Try a Little Harder," but otherwise maintain a very low profile. Bassist Pablo Tellez and drummer Gaylord Birch (the token non-Hispanic) fully realize their functions in the band to be confined to sustaining the basic rhythms of each song, and their self-effacing performances reflect that awareness...
...lead vocalist of the group, Paul Rogers, late of the no-frills early-seventies British group, Free, which sort of fizzled out following their 1973 album, Heartbreaker, and drummer Simon Kirke, likewise of that gloomily-concluded musical venture, join guitarist Mick Ralphs and bassist Boz Burrell with sax and flute icing by Mel Collins. Together they produce yet another collection of tight riffs--some might call them predictable--with a steady bass company and a highly-amplified guitar sound, usually controlled just short of distortion. They are not virtuosos in the mold of Cream members with their constant technical competition...