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Word: bassists (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Saxophonists Roscoe Mitchell and Joseph Jarman, and bassist Malachi Favors were founding members of the AACM; trumpeter Lester Bowie joined when he came to Chicago shortly afterward. These four players became the Art Ensemble of Chicago. The original name was the Roscoe Mitchell Art Ensemble, but the group's musical philosophy was deeply influenced by the collective ideal of the AACM, and when they went to Europe in 1969 they adopted a name that more accurately suggests the active role each member takes in the AEC's music. With the addition of percussionist Don Moye...

Author: By Paul Davison, | Title: 'Great Black Music' Comes of Age | 5/10/1979 | See Source »

...band is composed of saxophonist/lyricist/band leader Ruskin Germino, guitarist Gardner Roberts, bassist Robert Cormier and drummer Chip Fontaine. There's also a keyboard player who couldn't make the rally and who may not stay on with the band...

Author: By Eric B. Friea, BOYCOTTING ALL WEEK, | Title: Making it on Their Merits | 4/26/1979 | See Source »

Friday at 8 p.m., the Harvard University Jazz Band will present a program of the music of Charles Mingus. The legendary bassist-composer had planned to attend the concert; his death in January at age 56 makes this performance a timely tribute to a stormy giant of American music. Trumpeter par excellence Ted Curson, who was a member of the Mingus Jazz Workshop in the early 60's, will be on hand to provide some of the spirit that Mingus passed on to all those with whom he played...

Author: By Paul Davison, | Title: Mingus at Eight | 4/19/1979 | See Source »

...part of the heyday of the big bands of Herb Pomeroy and Maynard Ferguson (this was Maynard's hot '50s group, not the bubblegum combo he leads today.) Byard left the Ferguson band to spend five years working in an entirely different context--the celebrated Jazz Workshop led by bassist Charles Mingus. After leaving Mingus. Byard spent several years working as a solo pianist and, significantly, filling in on piano for the Ellington band when the Duke's failing health occasionally kept him from performing...

Author: By Paul Davison, | Title: Two Shades of Piano | 3/15/1979 | See Source »

...case study in the plight of the black American artist, it's not hard to see why the musical importance of Charles Mingus has so often been eclipsed by the drama of his troubled life. Even as he first established his unique and revolutionary talent as a bassist, Mingus seemed bent upon becoming one of the great and tragic characters of jazz...

Author: By Paul Davison, | Title: Welcome Back, Charles | 3/7/1979 | See Source »

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