Word: bassists
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...such renowned players to perform in a cozy venue like the Regattabar meant that many were unable to witness some spectacular music making, but the fortunate got what they wanted...and more. This combination of three of the brightest young stars in jazz today--tenor saxophonist Redman, bassist Christian McBride and drummer Brian Blade--fulfilled all expectations with verve and style...
Next up was "Youthful Bliss," a McBride original from his recent album as leader, Number Two Express. McBride took great liberties with his solo section, quadruple-timing figures in a way that seemed impossible on such a cumber-some instrument. Throughout it all, the bassist made it look effortless, never belying the technical hurdles he had to overcome in order to play such difficult intervals in such awkward positions. McBride was very much in a groove--toward the end of his solo, Redman interjected with a few notes, as if to indicate it was his turn. Through...
Gomez's protagonists, a young rock band called Bottlecap, are a lot like him. Mark, the singer and guitarist, bassist Gary and drummer Steve start off writing and practicing songs in a shack on the out-skirts of their hometown of Kitty, Virginia. They play their first gigs to tiny crowds in the little bars in Kitty and surrounding areas and slowly build up the slight recognition that could be mislabeled as a following. Just before the beginning of Geniuses of Crack, Mark is approached by an A&R man from a new, alternative record company that wants to sign...
...Pioneers are based in Brooklyn, and two members, Mike Janson and Dan Cook, hail from Lynnfield, Mass. Cook and Janson share the singing and guitar playing duties, and J.P. Jones holds the band together on drums. They are one of a number of new bands to play without a bassist. Emerge is their first full-length album on Matador Records, following a series of EPs released on that label. The band formed in 1995, when Janson and Cook, then roommates, began to record casually...
Having a substitute drummer didn't at all detract from the performance the band gave: guitarist Todd Mund evoked a sonic spectrum ranging from airy melody lines to bone-crunching chords with his red Les Paul; bassist Nedich aggressively propelled many of the tunes with unrelentingly rhythmic bass lines; and Deal leavened the raw power of her vocals with sensitivity. Her muscular voice never strained, and she displayed impressive range and intonation. At times she could be sweet and velvety. Then she would let loose from the diaphragm and sing a chorus with no mercy. Such was the case with...