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...steady work. "I'm like a snowball rolling downhill," he says. He can even afford his own apartment now. Gettin' to It showcases his wide-ranging skills-in swing, bebop, blues, free jazz-and his full, throbbing sound. McBride may be the most promising and versatile new bassist since Charlie Mingus. To some people, that may not sound so sexy, but for jazz fans, it sure is exciting...

Author: /time Magazine | Title: ACE OF BASS | 3/13/1995 | See Source »

...Bassists are the bricklayers of the jazz world. Their job--to lay down a solid rhythmic foundation that their fellow musicians can build on--may not be sexy, but it's indispensable. In just four years as a pro, bassist Christian McBride has developed a strong but unobtrusive rhythmic style that has made him a ubiquitous musical presence. Although he's only 22, he has played on some 70 recordings and has toured with the top soloists, most recently saxophone wunderkind Joshua Redman. Now McBride's solo debut, Gettin' to It, should establish him as more than just a hotshot...

Author: /time Magazine | Title: ACE OF BASS | 3/13/1995 | See Source »

...Carter, who is widely known as one of the toughest and most critical taskmasters in jazz. Carter's tyrannical ways were amply demonstrated in her own appearance at the Regattabar last year, when she lambasted her bass player on stage for not getting the changes right. Unlike the poor bassist, Allen was not cowed by Carter's aggressiveness. The level of tension during the London concert at which feed the Fire was recorded actually seemed to stoke her creative furnaces. Her solos are a fascinating commentary on Carter's uniquely expressive vocal style...

Author: By Eric D. Plaks, | Title: Allen's Original Voice Transforms Jazz Tradition | 3/2/1995 | See Source »

Allen's performance last week at the Regattabar in Cambridge gave tangible proof that her reputation is well deserved. With bassist Ron Carter and drummer Lenny White, Allen offered listeners five searingly original improvisations on both her own compositions and jazz standards. Allen's performance in Cambridge lived up to the expectations raised by her recent stunning recorded work...

Author: By Eric D. Plaks, | Title: Allen's Original Voice Transforms Jazz Tradition | 3/2/1995 | See Source »

Popularity for Hootie & the Blowfish was a long time coming. The four band members-singer Darius Rucker, guitarist Mark Bryan, bassist Dean Felber and drummer Sonefeld-got together at the University of South Carolina in Columbia in the mid-1980s. Rucker likes to sing after taking a shower and, thanks to his loud voice and the dorm's thin walls, his habit became well known-and, surprisingly, well liked. Says Bryan, who lived down the hall: "I'd hear him and think, 'He's got a really great voice.'" Bryan was learning to play the guitar at the time...

Author: /time Magazine | Title: SOUTHERN EXPOSURE | 2/27/1995 | See Source »

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