Word: bassoonist
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...flat major concerto, K. 191, showed that this neglect is unwarranted, while providing a welcome respite for a musical world saturated with concerti for piano or for violin. It is unfortunate that more people did not take advantage of this nearly unique opportunity to hear an excellent bassoonist in a solo context...
...Immediately, the Long Island Rail Road offered him a job. Then the Orchestral Society of Westchester came up with something better: it asked Shalit to lead a concert last week in the garden of Lyndhurst, Financier Jay Gould's old estate on the Hudson River. Shalit, an amateur bassoonist, accepted with pleasure. As a child, he had taken piano lessons: "You know the kind of thing, the music teacher kisses your Fingers to see if you're a genius." Waving his baton, Shalit said he rehearsed William Boyce's Fifth Symphony and Haydn's "Farewell" Symphony...
Music to play? "Yes," sighs Jane Taylor, the Dorian bassoonist, "I've seen other wind quintets disband simply because they've run out of things to play." The Dorian's solution to the scanty quintet repertory has been virtually to create a new one. In its agile, luminous concert at Manhattan's Lincoln Center last week, the group played 19th Century Czech Composer Anton Reicha's forgotten E-Flat-Major Quintet, Henry Brant's transcription of Bach's Goldberg Variations and a new work that it commissioned from Pulitzer Prize Composer Jacob Druckman...
...Adagio sections have to be dropped or cut because of distracting street noises. The repertory varies with the location. "The people by Doubleday's dig Beethoven more than the people in front of Macy's," says Violinist Robert Dubow. "Bach is too intellectual for the street," reports Bassoonist Greg Barber. "Besides, his line is long and threadlike. It can easily be lost when a truck roars by." Adds another street musician: "Everyone understands Mozart." Of the all-string works, Haydn's "London" trios get the biggest audiences and make the most money...
...quadrisonic tape. The technical problem-essentially how to squeeze four channels into one groove and then play them off again with high fidelity-has long seemed insoluble. Last week, however, a man came forward who seems to have solved the puzzle. He is not an engineer but a bassoonist named Peter Scheiber who lives in Rochester, N.Y. He uses a coding system to compress four sound channels into two, overlays them on tracks in either disk or tape, and then retrieves them again...