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...body and Umber vocal cords, Williams simply runs through a cast of character sketches unseen since the early days of Jonathan Winters. "Earthquake!" he will yell, jumping up and down, before he rushes out to the audience to heckle himself. Within seconds, he is back onstage, giving a beautiful basso profundo rendition of Shakespeare, followed by rapid-fire impressions of a go-go boy, Long John Silver and characters from a Japanese science-fiction movie. "It's madness all around," he explains. "But the center is very calm, like the center of a hurricane...

Author: /time Magazine | Title: Show Business: The Robin Williams Show | 10/2/1978 | See Source »

...than $100,000 a year, and at least 16 make $200,000 or more (see box). Of course, stratospheric salaries were common at the networks even before Barbara Walters signed her million-dollar contract with ABC two years ago. What is new is that the pearly-toothed, cleft-chinned basso profundos who tell the way it was in your home town are starting to earn network-size salaries. "Only three or four years ago it was significant if an anchor earned $100,000," says Richard Leibner, one of a growing number of talent agents who serve local newscasters. "That...

Author: /time Magazine | Title: Press: Those Affluent Anchors | 7/17/1978 | See Source »

...audience--and probably the cast as well-will wish them over soon. Flynn and Smith are especially poor actors; apparently unaware of the meaning of their speeches, they flap their hands, grin fixedly, and fail to enunciate. Ives is saved only by the humor in his lines and his basso profundo. The set--which seems designed to test the cast's mountaineering ability--does not lessen the stiffness of the dramatics, the accompanists are pedestrian. But Ellen Wasserman's lighting, which unobtrusively creates the familiar context of the songs through connotations of color and brightness, makes the production move more...

Author: By Eleni Constantine, | Title: Gourmet Leftovers | 3/16/1977 | See Source »

...reorientation of the power base, whereby the Socialists, once to the left, are now, though reduced in power, at the center of the Italian political balance, casts the PCI as the "true heirs of Italian socialism," as Lelio Basso, one of the most respected Marxist senators in the country, sees them. Judging by their continued efforts to separate themselves from the Soviet aegis, looking at their evolving ideology of Marxism-as-practicable-in-Italy, this is a role the Communists are glad to play, though they may never officially admit...

Author: By Eleni Constantine, | Title: D.C. vs. PCI: Round 8 | 7/2/1976 | See Source »

...stayed for 20 years, drawing raves with a clear, effortlessly powerful voice that made her a standout in an era of great Met sopranos, including Kirsten Flagstad and Lotte Lehmann. She also brought a lively offstage presence to U.S. opera-once, during a tour with Met Basso Ezio Pinza, she collected not only bouquets but also a $250,000 suit from Pinza's wife charging alienation of affections. "It's too full, my life," Rethberg said. "I just give and give...

Author: /time Magazine | Title: Milestones, Jun. 21, 1976 | 6/21/1976 | See Source »

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