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BARRAGE of advertising notwithstanding, neither of the Bach Society's two soloists appeared last Saturday night. Both Cambridge-born basso Justino Diaz and pianist Tedd Joselson were absent from the Sanders stage; their loss and the identity of their replacements was announced in the inaudible mumble characteristic of concert-hall speeches...

Author: By Kenneth Hoffman, | Title: Concerto and Cantatas | 4/16/1974 | See Source »

...third excellent wind soloist, Stephen Hammer, played the oboe for Bach Cantata No. 56. His contribution was the most exciting aspect of the piece. His phrasing of the obbligato line in the second aria demonstrated a facility with the instrument coupled with great sensitivity to precise imitation. The basso for the cantata, David Evitts, had been recruited in extremely short order. He sounded tired, with several lapses of diction and little variation of timbre or volume. In general, he was a shadow of the big, confident singer he had been just one night before as soloist with the Collegium...

Author: By Kenneth Hoffman, | Title: Concerto and Cantatas | 4/16/1974 | See Source »

Bach Society Orchestra. Bach: Brandenberg Concerto No. 4, Cantata No. 56 (Justino Diaz, basso, soloist), Piano Concerto in D Minor (Tedd Joselson, soloist); Handel: an Italian cantata (Diaz). Tickets: $.95. Saturday, April...

Author: NO WRITER ATTRIBUTED | Title: Classical | 4/11/1974 | See Source »

...agrees Soprano Kiri Te Kanawa, an unusual name. At Covent Gar den last year, Basso Cesare Siepi kept asking, "Where is Kanawa?" as he looked around for a Japanese singer. In fact, the elegant Kiri is a New Zealander, the descendant on her father's side of a Maori chieftain. She now lives in England, where for the past three years her star has been steadily rising. Last week Kiri began to shine in New York too. In the grandest of operatic traditions, she made her Metropolitan Opera debut on a mere three hours' notice. Substituting...

Author: /time Magazine | Title: People, Feb. 25, 1974 | 2/25/1974 | See Source »

...continues to reissue the superlative albums he originally taped for the now defunct Epic classical label. Included here are choice anthologies of English, German and Austrian music (late 16th century to the 18th) for clavichord as well as harpsichord. Meanwhile, Kipnis, 43-year-old son of the great Russian basso Alexander, moves on. His Goldbergs boast boldly colored registrations, an entertaining songfulness, and a wondrous knack for making Baroque embellishments sound inevitable...

Author: /time Magazine | Title: Music: Pick of the Pack | 12/24/1973 | See Source »

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