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...surrounding temple exploded, filling the stage and auditorium with steam. But mostly the singers forgot about the drama and one another, turned toward the audience, and simply belted out their best. Frequently it was more than good enough. Drenched by the robust melodiousness of Soprano Elena Suliotis and Basso Nicolai Ghiaurov in Nabucco, and of Tenor Carlo Bergonzi and Mezzo Soprano Fiorenza Cossotto in Trovatore, the Montreal audiences hardly seemed to notice anything missing elsewhere...

Author: /time Magazine | Title: Opera: The Power of Positive Vocalizing | 10/20/1967 | See Source »

...giant with a voice and a soul. What really captivated Montreal's audience and critics was the fact that the Bolshoi's Boris captured not only the barbaric power of the work but also its subtle psychology. At the head of an effective cast, Basso Ivan Petrov projected passion better than pitch, but his booming, dramatically harrowing portrayal of the tormented tyrant was still a triumph...

Author: /time Magazine | Title: Opera: Soulful Giant | 8/18/1967 | See Source »

WHITSUNDAY SPECIAL (CBS, 10-11 a.m.). An original oratorio, Galileo, has been commissioned to commemorate the appearance of the Holy Spirit to the Apostles on this seventh Sunday after Easter. Libretto by Joe Darion, score by Ezra Laderman, and featuring Basso Ara Berberian as the troubled astronomer...

Author: /time Magazine | Title: Television: May 12, 1967 | 5/12/1967 | See Source »

...YORK PHILHARMONIC YOUNG PEOPLE'S CONCERTS WITH LEONARD BERNSTEIN (CBS, 7:30-8:30 p.m.). In his eighth annual Young Performers program, Lenny introduces seven young soloists-two violinists, a cellist, bassoonist, accordionist, oboist and basso...

Author: /time Magazine | Title: Television: Jan. 27, 1967 | 1/27/1967 | See Source »

...Pleasants, opera singers must look backward to bel canto because they have nothing to look forward to. He contends that the torturously difficult vocal writing of modern composers is so contrary to the melodic essence of song that it is beyond salvation. The futility, he says, is reflected in Basso Cesare Siepi's lament that "I have nothing against modern composers. But what have they got against me?" The only answer, concludes Pleasants, is for the singers "to go back to the old music...

Author: /time Magazine | Title: Opera: Back to Bel Canto | 1/20/1967 | See Source »

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