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Performers of world prominence who have broadcast for B. B. C. include Basso Chaliapin, Pianist Paderewski, Amos 'n' Andy (who proved unpopular), Paul Robeson (popular), G. B. Shaw and the late, great Danseuse Pavlova. (Today B. B. C. eschews and frowns upon such "stunts" as broadcasting Mme Pavlova's dancing footsteps, popular though they proved in 1924, 1925 and 1927, accompanied by ballet music...

Author: /time Magazine | Title: Foreign News: Chain & Flatiron | 5/23/1932 | See Source »

...benefit of unemployed musicians April 28, his idea of perfection will be Parsifal, the Prelude and the Good Friday music, followed by Beethoven's Ninth Symphony with its soaring Ode to Joy. Toscanini also cabled his choice of soloists: Soprano Elisabeth Rethberg, Contralto Margaret Matzenauer, Tenor Giovanni Martinelli, Basso Ezio Pinza...

Author: /time Magazine | Title: Music: Perfect Program | 4/11/1932 | See Source »

Music managers regard the cut in fees as a healthy sign. In the past artists have often spoiled all chances for profitable tours by demanding exorbitant fees. Few local managers could afford to present Basso Feodor Chaliapin or Violinist Jascha Heifetz three years ago. They drew big crowds but after fees of $4,000 and $5,000 were paid, the cost of the hall and advertising taken out, there was often little or nothing left for the manager. Heifetz and Chaliapin will play now for much less money, get more engagements...

Author: /time Magazine | Title: Music: Healthy Signs | 3/7/1932 | See Source »

...great dignity and force to the corsair who rose to be Doge in Genoa, finally died by the hand of his hunchbacked henchman. In one scene where he stopped a brawl and set a curse on the cringing hunchback, he was impressive enough to suggest the Boris Godounov of Basso Feodor Chaliapin. From beginning to end he behaved like a thoroughgoing artist not in the least warped by his cinema-radio success...

Author: /time Magazine | Title: Music: Tibbett's Simone | 2/8/1932 | See Source »

...until they were practically free from amateurisms. Jack (at the premiere Soprano Mary Katherine Akins) was believably young but not too cute; the giant (Raymond Middleton) blustered as a giant should. The cow's big scene occurred on the road to market, against a background of misshapen stars. Basso Roderic Cross filled out her front legs, did the philosophizing. The silent hindquarters, unmentioned on the program, were Student Warren Lee's. He maneuvered the eloquent tail-switching, the quizzical lift of a hip which matched such lines as these...

Author: /time Magazine | Title: Music: For the Childlike | 11/30/1931 | See Source »

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