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Word: bastien (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Tudor ancestors the height of affectation, so, the first to follow that Italian custom doubtless did so, in large part, to impress their neighbors with their sophistication. Evolution itself is a process of rising above one's origins and one's station." The writer Sébastien Chamfort located what is surely the ultimate snob, a nameless French gentleman: "A fanatical social climber, observing that all round the Palace of Versailles it stank of urine, told his tenants and servants to come and make water round his château...

Author: /time Magazine | Title: Essay: A Good Snob Nowadays Is Hard to Find | 9/19/1983 | See Source »

...every one such painting there were a dozen tame, regional variations on then popular French artists like Bastien-Lepage or Tissot, whose work provided a palatable substitute for the analytic modernity represented by impressionism at its best. Hence the Boston show is heavily freighted with affable but basically in sipid dining-room pictures of young Wasp rosebuds swathed in yards of white voile, clustered on lawns, playing on beaches, posing on verandas or picking flowers. They make one realize how badly America needed modern art. Not until the ad vent of some of the impressionist-influenced painters of "the Eight...

Author: /time Magazine | Title: Art: Charm, Yes; Inspiration, No | 8/18/1980 | See Source »

...allow a full sampling of the sentimental and pretentious salon art that the century's avant-garde had to contend against­Cabanel's sleekly erotic nudes, Meissonier's bombastic battle scenes, Regnault's slyly erotic-exotic Salome, Rosa Bonheur's huge Horse Fair, Bastien-Lepage's sentimentalized Joan of Arc. Of the 22 Courbets, only 8 had been on view in the past; of the 18 Manets, 10; of the 29 Monets, 12. Many of the Met's 40-odd Rodins had not been seen for 20 years...

Author: /time Magazine | Title: Art: The Met's New Galleries | 4/14/1980 | See Source »

...Gauguin or Van Gogh to push beyond it. They are represented too, to the confusion of the term: if post-impressionism means not only Van Gogh's Arlesian canvases, in all their lambent color and twisting, linear energies, but also the eclectic products of a tonal impressionist like Jules Bastien-Lepage, with his soulful peasant girls in burlap, what can it mean? To what imaginable modernist context do the many style rétro canvases in this show belong?Giovanni Boldini's portrait of Mme. Max, for instance, or Albert Maignan's Passage of Fortune, 1895, with its gauze-veiled figure...

Author: /time Magazine | Title: Art: Old Masters of the Modern | 1/14/1980 | See Source »

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