Word: batel
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Dates: during 2000-2009
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...most innovative numbers of the evening was Mainly Jazz’s “Music Box,” choreographed by Chang. Jennifer M. Batel ’12, Natalie A. Cameron ’11, and Odstrcil transformed themselves into Coppelia-esque wind-up toys, delicately moving about the stage with the precision of mechanical instruments. The plucked strings of the folk music—a piece by Yann Tiersen, best known for creating the soundtrack for “Amélie”—resonated as the dancers replied in stiff, precise arm movements...
...Canty ’11 choreographed a powerful, hip-hop inspired dance to “Wrong,” by Depeche Mode, interrupting the sequence of dances that focused mainly on fluid, sensual movement for something much more muscular. Canty, Batel, Wanxin Cheng ’13, Callie A. Kolbe (Tufts ’10), and Tiffany E. Wen ’11 rose from the floor, dressed in white hoodies that partially obscured their faces. They proceeded to create a bold, monochromatic image of vertical motion. Their strong arm movements and fluid torsos, which at times evoked military...
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