Word: bather
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Dates: during 1980-1989
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...Hence, the energy of The Embrace, 1925, its lovers grappling on a sofa in their orifice-laden knot of apoplectic randiness. Hence, too, the fear (amounting sometimes to holy terror, but more often to a witch-killing misogyny) that emanates from creatures like the bony mantis woman of Seated Bather, 1930. Such images are cathartic. One needs colossal self-confidence to expose such insecurities...
...Hence, the energy of The Embrace, 1925, its lovers grappling on a sofa in their orifice-laden knot of apoplectic randiness. Hence, too, the fear (amounting sometimes to holy terror, but more often to a witch-killing misogyny) that emanates from creatures like the bony mantis woman of Seated Bather, 1930. Such images are cathartic: they project fears that no French artist (and outside France, only Edvard Munch) would even admit to. One needs colossal self-confidence to expose such insecurities...