Word: bathes
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...squalor and degradation match Calcutta's. Vast numbers of displaced fellahin spend their lives in one room, sleeping on the floor, taking their water from a public faucet and using the street as a toilet. Many go through a whole lifetime without once taking a bath. Infants who play in garbage and excrement are themselves covered with flies, and they suffer from chronic dysentery, as well as lung diseases aggravated by dust and sand filtering into their homes. Despite free compulsory education, only about 25% of the population can read and write...
...literally placed under military siege several hours before his arrival, and he is protected by 200 bodyguards armed with Belgian automatic firearms and knives. When he makes a public speech, Somoza speaks from behind an enormous protective contraption referred to jestingly by Nicaraguans as the "fish tank" or "bath tub." This is a huge, three-sided bulletproof shed with glass so thick it distorts Somoza's features; three trucks and a crew of 20 are required to erect...
...Angeles kind of foreplay, and a marvelously boisterous (and girlsterous) scene follows in which she handcuffs him to the bedposts, whips him a bit, and then commits indignities on him with a vibrator. (Cultural note: vibrators seem to have no shock value now, unless you drop one in the bath water, but they do provoke widespread guffaws of recognition...
...Russian plane, nicknamed Concordski by Westerners, looked almost like a twin of the Concorde with its ant-eater nose and swept-back delta wings, though its white fuselage was badly in need of a bath or a paint job. Also like the Concorde, the Tu-144 had a small cabin with narrow aisles and elbow-to-elbow seating; it carried a maximum of 140 passengers (the Concorde carries only 100). The inaugural aircraft lacked posh decor. Several of its ceiling panels were ajar, service trays got stuck, and window shades slipped down without being pulled...
...lead women in the play--Charlotte Corday (Sarah Jane Norris), the upperclass young woman who murders Marat in his bath, and Simone (Robin Leidner), who keeps him alive until Corday's final blow--are both perhaps slightly too intense at the beginning to permit their characters to develop. The trick in Weiss's Marat/Sade is that the players must grow in the course of the play, gradually changing from lunatics to historical figures, blending one element into the other. Norris is a brilliant Corday at first, but because she begins her part with too much tension, she has nowhere...