Word: baths
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Dates: during 1960-1969
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...Hall, the school's administration building. For 15 hours they camped in the corridors, whanged guitars, played jacks, watched Charlie Chaplin movies. Stairwells be came "freedom" classrooms. An alcove was a kitchen where coeds made thousands of sandwiches for the all-night siege. The school had locked the bath rooms, but students with screwdrivers lifted the pins from hinges. For communication with the outside world, they used walkie-talkies...
...features sells for about $35 or $40 and is definitely adequate for the beginner. The advanced skier will have to pay from $4 to $70 for an ash-hickory laminated ski if he thinks he has outgrown the stage when he looks up at better skiers mostly from the bath-tub perspective...
...real secret is just that a long and frenzied bath in sensation is a simple escape from reality and hence from anxiety. Movement, activity, "go", is always preferred to sitting around; the most desirable of human conditions is to be hopped up as much of the time as possible. Through experience (i.e. kicks) one transcends the nagged and nagging self to get out of one's own skin into that airy realm where no questions are asked, where, for that matter, there is no longer any articulate speech in which to ask them...
...four to six hours, while the lawyer can doze or read briefs, the blood from his forearm artery flows through the plastic coils in the bath. Metabolic poisons that should have been excreted in his urine have accumulated in his blood. (Uremia patients urinate, but pass only a small volume of weak, watery liquid.) In the artificial kidney, the poisons are leached out of the blood through the walls of the cellophane tubing and into the chemical bath...
...that he painted oftenest (see following pages). Her presence borrowed color from the walls of her bath. While fauvism, cubism, even dadaism and surrealism bypassed Bonnard, he kept his eye on nature and his wife's place in it. To many, through the 1930s and 1940s, Bonnard was oldfashioned, a man preoccupied with outer nature rather than inner psychology. His art seemed wishy-washy, facile, banal in its apparent sentimentality...