Word: batmans
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Dates: during 1990-1999
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...they were bad movies; it was that they were the same bad movie. But more than ever this summer, with the moguls at the sausage factories sending out a new slice of action salami each week--The Lost World: Jurassic Park, followed by Con Air, Speed 2: Cruise Control, Batman & Robin, Face/Off and Men in Black--the big films look like instant remakes, retreads or reductios ad absurdum of last Friday's film, which wasn't all that hot either. Some of the movies have incidental felicities, and, to abort all suspense right now, Face/Off is damn fine...
...fourth guy says, "All movies are comic books these days. Let's do more movies based on comic books!" Not just Batman & Robin and Men in Black but also two August releases, Spawn and Steel, are comic book-inspired. This junk-culture trend must please the kids in the Development departments; no more novels to read, with all those annoying words...
...Hollywood hardly knows what to do with its human stars. Sandra Bullock became one as the resourceful bus driver of Speed, yet in the sequel she can only squeal, hide and get kidnapped, while no-voltage Jason Patric attends to all the heavy heroics. In Batman & Robin the guest villains are Uma Thurman as Poison Ivy and Arnold Schwarzenegger as Mr. Freeze. Thurman has sexy fun with her villainous eco-freak, but Arnold is encased in an icy truss of a costume that obscures his rippling charisma. Memo to the Batman team: next time you pay a star $25 million...
...modern action movie. And when the stars aren't killing off the supporting players, they are cracking wise--lamely. All right, nobody goes to hear an action movie, but the verbal humor in The Lost World didn't have to be so stilted. In Con Air and Batman & Robin the lines have the rhythm of wit but not the content; they are their own rim shots...
...electronica scene may yet catch on. It's booming in Florida (at least eight clubs have popped up in Orlando in the past three years); the sound tracks to the movies The Saint, Batman & Robin and 187 draw on it; major rock acts like U2 and Smashing Pumpkins are incorporating it into their sound. And there is some great electronic music out there. Morcheeba's Who Can You Trust? (Discovery) is a rapturous blend of bluesy vocals and electro atmospherics; Carl Craig's More Songs about Food and Revolutionary Art (Planet E) is puckishly inventive; and The Rebirth of Cool...