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...BATON ROUGE, La.: Edward DeBartolo Jr.'s deep pockets have made the San Francisco 49ers one of the NFL's dynasties. Now he'll need that cash for some good lawyers...

Author: /time Magazine | Title: NFL Confidential | 12/2/1997 | See Source »

DIED. ROD MILBURN, 47, genial 1972 Olympic gold medalist who won the 110-m hurdles at Munich; from falling into a railcar full of caustic chemicals while on the job; in Baton Rouge...

Author: /time Magazine | Title: Milestones Nov. 24, 1997 | 11/24/1997 | See Source »

...allowed for a heightened clarity, producing a concentrated, almost sinewy tone that typified the Allegro Moderato. The first movement elapsed without any fiery outbursts; Gatti instead focused intently upon the lyric strains of the oboe and clarinet. His conducting was comprised of a fairly conventional fluidity of motion. His baton described tightly restrained circles throughout much of the movement, and only with the arrival of a succession of full-orchestra chords did one view great, ardent sweeping motions that subsided as quickly as they had come...

Author: By Andrea H. Kurtz, CONTRIBUTING WRITER | Title: Devil Inside Mr. Gatti: How to Make an Audience Faint | 10/31/1997 | See Source »

...acting is competent, with Young Lee giving a particularly hilarious performance as the Bailiff, who marches up and down the aisles harassing audience members, occasionally pausing to whack Roulleau with his baton. His presence, at once menacing and amusing, keeps the audience on its toes. As the theatergoer who must suffer for our sins, Roulleau at first nonchalantly flouts the court's authority, making the audience wonder whether he really has been chosen as a random victim. Farley brings a slightly over-the-top vehemence to the role of Clamence...

Author: By Joshua Derman, CRIMSON STAFF WRITER | Title: No Exit: Insightful Student-Written Play Shows Audience Complicity | 10/24/1997 | See Source »

...highlight the performer's virtuosity, Mendelssohn's provides the development that leads the movement to its end. The orchestra drew momentum from Shaham's graceful interpretation. It is difficult to say, however, whether it was this passion or sheer accident that caused conductor Seiji Ozawa to throw his baton into the cello section shortly before the end of the movement. The piece was nonetheless otherwise seamless (and an obliging cellist returned Ozawa's baton shortly after it landed at his feet...

Author: By Jamie L. Jones, CRIMSON STAFF WRITER | Title: Taking the Cynicism out of Symphony | 10/10/1997 | See Source »

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