Word: batting
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...public through the ringer of supernatural scenarios, then WWN was probably coming scarily close to filling any gaps in the collective imagination. But whether it was the strangely sympathetic, glassy round eyes or the face that rivaled Macaulay Culkin’s “Scream” impression, Bat Boy, who made an appearance for the first time that month, caught the attention of shoppers and soon became the sweetheart of supermarket tabloid...
Five years later, the half-boy, half-bat sensation was causing a stir off-Broadway as the lead character in “Bat Boy: The Musical,” a production created in cooperation with WWN. Currently playing at the New College Theatre under the direction of Matthew I. Bohrer ’10 through Dec. 11, this adaptation of the creature’s life from his discovery onward indulges the audience in the spectacular task of answering the question “What is it?” Part moral inquiry, part love story, and primarily ridiculous...
...Bat Boy” opens on three teens—Ron, Rick, and Ruthie Taylor—preparing to get just a little bit closer to nature in the dark environs of a local cave, but they are promptly interrupted by the appearance of the show’s namesake, played by Walter B. Klyce ’10. After the confused cave creature bites young Ruthie (Maya S. Sugarman), he is taken to the home of the dashing and devilish Dr. Thomas Parker (Adam M. Lathram), where his charming wife Meredith (Megan L. Amram...
...aptly named Hope Falls, West Virginia, “Bat Boy” could be seen as a critique of the hypocrisy inherent in “Christian charity” (obviously, they don’t want the strange man-bat creature to attend their special revival weekend) or as the painful journey to ignore one’s inner animal instincts and just fit in. Even more strangely, it could be seen as a story of love: the failed love of Dr. and Mrs. Parker or the bizarre romance that develops between Shelley and Edgar. The first...
...fact the whole cast is, perhaps not surprisingly, very talented. Klyce’s portrayal of Bat Boy is particularly remarkable; his arms and legs contort through most of the show into the sharp angles of a bat’s claws and legs in a performance that conveys a particularly strange animalistic posture with amazing naturalness. As the show progresses, his stance adjusts in an impressive expression of humanity through body language, and his voice transforms from the gargles of playful stupidity to the more articulate confusion of one bewildered but generally prepared to cope with the strangeness...