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However conservative he may be in matters of traditional doctrine and discipline, Pope Paul VI has always had a warm predilection for social activism. As Archbishop Giovanni Battista Montini of Milan, he initiated a range of programs for the workers and poor of that problem-plagued archdiocese. In his travels as Pope, he has repeatedly made a point of seeking out the sick and impoverished. His remarkable 1967 social encyclical, Populorum Progressio (On the Development of Peoples), called on nations to engage in a worldwide program of aggressive social action. Now comes an apostolic letter* in which the Pope addresses...

Author: /time Magazine | Title: Religion: An Appeal for Activism | 5/24/1971 | See Source »

Jesus passed it on to him. "If the next Pope does not call himself Clement XV," the vision advised him, "you will know that he is a false Pope." When Cardinal Giovanni Battista Montini chose to reign as Paul VI, Abbé Collin became Clement...

Author: /time Magazine | Title: Religion: Pope Clement XV | 3/15/1971 | See Source »

...history's orphans: the general supposition was that after 1650, Italian art slid into provincial decadence. From this sad landscape, littered with insignificant talents fit only for doctoral theses or bourgeois mantels, a few fine painters emerged: Tiepolo, Canaletto, Guardi, a handful of others. Giovanni-Battista Tiepolo, in fact, seems in retrospect to have been the last Italian artist formed in the heroic mold. A protean figure of bewildering facility and adaptability, he was the link between high historical painting and rococo elegance, able to invest a pen drawing with as much tension and airy scale as a painted...

Author: /time Magazine | Title: Art: Orphan Celebrated | 3/8/1971 | See Source »

...includes phony pieces of self-criticism: a pseudo-reflexive section wherein Elena, wanting to become an actress, has the hero take her to ICAIC, the Cuban film institute, where he just happens to know a director who has found some pieces of old Hollywood films cut out by Battista's censors, and who wants to incorporate them into a new film he's making-he doesn't know quite how, his film will be a "collage" of social bits and pieces; and thus Alea manages to slip in a description of his own film. This is scarcely cinema criticizing...

Author: By Mike Prokosch, | Title: Movies Another Counter-Revolutionary Film Bites the Dust | 1/8/1971 | See Source »

...Sica, who became a French citizen and got a French divorce to marry his second wife, and Carlo Ponti, who went the same route to wed Sophia Loren. Under the new law, Gina Lollobrigida can Italianize her 1968 Austrian divorce from Milko Skofic, and Maria Callas can shed Giovanni Battista Meneghini, from whom she has been separated for eleven years...

Author: /time Magazine | Title: Italy: Divorce on the Docket | 12/14/1970 | See Source »

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