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...these troubles was Chopin's orchestration. Generally uncomfortable in large works, the composer was nearly able to redeem the disjointedness of this concerto by the delicacy of isolated sections. Unfortunately, delicacy was precisely the quality Mr. Battista could not muster. He approached the most tender passages in a hard-boiled manner: although technically facile, he seemed suspicious of both sensitivity and real clarity. Thus the episodic character of the music, far from being disguised, was exaggerated to a degree which left the piece all but defenseless. It never had much armor anyhow--which is not surprising, considering that Chopin...

Author: By Apollon Musagetes, | Title: The Music Box | 3/29/1951 | See Source »

What remained of ancient Rome when young Giovanni Battista Piranesi came down from Venice in 1740, was a pretty depressing sight for a would-be architect. The Forum was a clutter of shattered columns commonly known as "Cows' Field." The once-glorious Capitol was "Goats' Hill." The arcades of,the Colosseum were smothered in weeds and shrubs, and every day a few more stones disappeared on the carts of enterprising masons...

Author: /time Magazine | Title: Art: Vaults & Ruins | 2/28/1949 | See Source »

Sleepy Hollow (based on Washington living's Legend of Sleepy Hollow; book & lyrics by Russell Maloney, Miriam Battista and Ruth Hughes Aarons; music by George Lessner; produced by Lorraine Lester) is passably tuneful and monumentally tedious. Washington Irving's famous yarn of lanky, spindle-necked Ichabod Crane-who was as ill-starred in love as in looks and was chased into immortality by the Headless Horseman-would seem likely material for a musical. It comes equipped with standard light-operatic fixtures: period atmosphere, picturesque locale, broad humor, folkish fantasy; it seems a cinch to wire for dancing...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, Jun. 14, 1948 | 6/14/1948 | See Source »

...attended almost all his operas with his favorite German mistress and her "two acres of cheeks ... an ocean of neck." The rest of London was more fickle. Addison, who had written an unsuccessful opera himself, denounced and ridiculed Handel's music. Handel's rival, the egocentric Giovanni Battista Bononcini, kept him fighting for audiences...

Author: /time Magazine | Title: Good Musick | 3/22/1948 | See Source »

...Messa." In the nearby town of Varese lived the Rev. Giovanni Battista Schreider, a serious, bald, bespectacled Baptist minister. When he heard of the state of affairs at Caravate, he put in an urgent call for his friend Angelo Messa, an elder of the Baptist Church in Milan.* Both hastened to Caravate, arrived to find a crowd milling around the main square. From a balcony above their heads Pastor Schreider blasted the papal system, offered the "true faith which does not need external manifestations to assert itself." The crowd cheered. Many said they were ready to turn Protestant...

Author: /time Magazine | Title: Religion: The Faith of Caravate | 11/25/1946 | See Source »

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