Word: bauhaus
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Dates: during 1970-1979
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Tatar managed to pack expressionistic poetry, architecture and the Bauhaus, Weimar opera and cinema, and an analysis of the economy's inflation and stabilization into her "Weimar Culture" course...
...belief that art could assist social change was a central idea of the Modernist enterprise. It pervaded the revolutionary idealism of the Russian constructivists, the Bauhaus designers, the Dadaists and Surrealists, even the Abstract Expressionists. It has now ended, and instead of the old faith in a heroic future, we have an institution: the Mausoleum of the Briefly...
...reputation. Apart from age, the main thing they have in common is a fascination with architecture as language. When tradition (including the Modernist tradition) appears in their work, it is quoted rather than adhered to. There is no common style. Above all, they have no uniting ideology, as the Bauhaus or, on a less exalted level, the corporate American architects of the '50s had. Yet they are regularly grouped under one umbrella phrase: Post-Modernism...
Moore wants buildings to "freshen one's perception of the familiar," rather than turn Pop into a sequence of quotations à la Venturi. He uses space with originality. It is not the "universal" grid-space, the abstract Raum-with-a-view of Bauhaus thought, but a choppily processional medium, full of ambiguities and kinks, stagy...
...romantic imagery in art. The New York painters were very selective about the modernist enterprise. They had lived through the Depression and arrived on the edge of a world war. They were not apt to believe in art-induced utopias-the rationalization of mankind through ideal form. So the Bauhaus-constructivist line meant little to them. Surrealism, however, was more congenial. To begin with, it was an art of subject matter; and although platoons of later critics would discuss abstract expressionism in purely formalist terms, the painters themselves were obsessed by content. "We assert," said Mark Rothko, "that the subject...