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...Japanese thus embraced the Bauhaus. Before the war, that small school in Germany had seemed distant and unimportant to most Japanese architects; now it, and the homogeneous systems of environmental design it stood for, became an obsession with younger architects at Tokyo University. In 1954 Walter Gropius came to Japan to give a series of lectures, only to discover that an extraordinary loop of adaptation had taken place. What Gropius liked in Japan was its traditional architecture, epitomized by the Katsura Imperial Villa in Kyoto. The kind of modernism he stood for was heavily indebted to Japanese sources, transmitted...

Author: /time Magazine | Title: The Art of All They Do | 8/1/1983 | See Source »

Your article "Whatever Became of the Future?" [June 27] made me think of the past. I grew up in the '30s, when Walter Gropius, Marcel Breuer and other Bauhaus architects were beginning to influence American architecture. During the building boom that followed World War II, I looked forward to seeing homes and office buildings that would excel the architecture of previous eras. I was disappointed. Few American buildings in the past 40 years have equaled the beauty of Monticello, the White House, the Chrysler Building, or even the average American home built prior to the war. Perhaps next year...

Author: /time Magazine | Title: Letters: Jul. 18, 1983 | 7/18/1983 | See Source »

...Container Corp. of America, as part of an effort to turn the half-forgotten Rocky Mountain mining town into a chic culture and vacation resort. Paepcke was one of the few U.S. industrialists who believed in design excellence in architecture, industrial products and graphics. With Herbert Bayer, the Bauhaus designer, he created the corporate image of his company and set the tone for the Aspen conference. Imperceptibly, the conference, in turn, set the tone for modern design in America...

Author: /time Magazine | Title: Design: Whatever Became of the Future? | 6/27/1983 | See Source »

Thomas Mann and Bertolt Brecht were among the most gifted writers of their time. Artist Max Ernst made surrealism accessible to a generation. The architects-in-exile of the Bauhaus, led by Walter Gropius and Mies van der Rohe, changed the face of the American city. Middle European Physicists Albert Einstein, Hans Bethe and Edward Teller became the ambivalent stepfathers of the atomic...

Author: /time Magazine | Title: Books: Testimony of the Shipwrecked | 6/20/1983 | See Source »

Outdoors in the bright sunlight, Porter was at his very best, in the "oasis of verdure"--as Gropius, the founder of the Bauhaus would call it--of suburban landscaping, or among the towering evergreens on the Mine coast. Porter is free to enjoy the boats, lawns and inlets of Island Farmhouse (1969) and the beauty of the countryside speaks for itself, basically unaltered by the artist's interpretation. Or the observer can join Porter for some salty see spray on The Mall Boat (1973) in which, like scene form On Golden Pond, the skipper at the helm navigates through...

Author: By Even T. Barr, | Title: Preppy Perspective | 3/12/1983 | See Source »

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