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Word: bauhaus (lookup in dictionary) (lookup stats)
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...Design; of pneumonia; in Norwood, Mass. An uninhibited critic, Hudnut dismissed the Jefferson Memorial as "an egg on a pantry shelf in the midst of a geometric Sahara." His passion was for the functional line of modern architecture, a style he popularized by bringing to the U.S. such Bauhaus architects as Marcel Breuer and Walter Gropius, whom he installed as chairman of his school's architectural department...

Author: /time Magazine | Title: Milestones: Jan. 26, 1968 | 1/26/1968 | See Source »

...dean, Hudnut brought to the Harvard Faculty Walter Gropius and Marcel Breuer, both important members of Germany's Bauhaus Institute. Hudnut worked with these men to gain acceptance for Bauhaus techniques in America...

Author: NO WRITER ATTRIBUTED | Title: Joseph F. Hudnut '09 Dies, Was Dean of Design School | 1/18/1968 | See Source »

...Boston Globe phrased it nicely: "The titan of international architecture, harmonizer of the social, industrial, physical and esthetic needs of modern man, is building a pigsty." Admitted Architect Walter Gropius, 84, explaining why a man who designed the Bauhaus and Boston Center would stoop to a pigsty: "I lost a bet." The bet, he added, was with Friend Philip Rosenthal, owner of the Rosenthal China Co., who brought out a line of china that Gropius was willing to bet would not sell well. The architect offered to pay off in a new home for Rosenthal's porker Roro. Rosenthal...

Author: /time Magazine | Title: People: Jan. 12, 1968 | 1/12/1968 | See Source »

...whose chairs revolutionized the idea of form in furnishings. Thonet was also concerned with processes of manufacture, so his well-designed furniture was made available to all for the first time at low prices. In this marriage of functionalism and craftsmanship, Thonet anticipated the 20th century precepts of the Bauhaus...

Author: By Barth Schwartz, | Title: Form from Process | 12/7/1967 | See Source »

...Corbusier has made in this exhibition hall a beautiful space," Katayama explained. "Thonet chairs have grace and a flowing form of their own; I do not want to kill the spaces but relate them." To do just this Katayama has constructed, out of the left-over panels from the Bauhaus exhibition he designed last year, a series of boxes open on top and on one side. These compartments hold the forty-odd chairs in the show. He painted the panels white, painted one wall of the room red-orange, and closed off a wall of windows with black cloth...

Author: By Barth Schwartz, | Title: Form from Process | 12/7/1967 | See Source »

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