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Word: bauhaus (lookup in dictionary) (lookup stats)
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Harvard's built some pretty great stuff, notably the Carpenter Center and Gropius's Bauhaus building, Harkness Commons. But it doesn't try so hard every time and sometimes it just flops. The McKay Labs (upper right) are functional but featureless. And Yamasaki's (he later built the Woodrow Wilson School building at Princeton) William James Hall (left) is visually unbalanced and doesn't fit into its surroundings. The Loeb (above) just sits there but then really makes it at night. Hilles Library, too, is neat in the dark but scares the people who live across Garden St. Sert...

Author: NO WRITER ATTRIBUTED | Title: What Harvard's Building | 12/1/1967 | See Source »

...Jesuit high school (after the TB had cleared up), two years at Georgetown University, which Tony hated. He came home, bought a bookstore, studied at the Art Students League by night and worked in the factory by day. In 1937, he moved to Chicago to study at the New Bauhaus, found it "awful." After a semester, he drifted into an apprenticeship with Architect Frank Lloyd Wright, traveling from project to project as "clerk of the works." "Wright," he now believes, "kind of brought me home. I discovered myself as a person...

Author: /time Magazine | Title: Sculpture: Master of the Monumentalists | 10/13/1967 | See Source »

...cartoon vocabulary, including printers' Benday dots (originally suggested to him by the exaggerated dots on a bubble-gum wrapper), primary Magna colors, heavy, black-outlined forms. "I like taking a discredited subject and putting it into a new unity," Lichtenstein says (currently he is working with 1930s pseudo-Bauhaus modern), "I was serious about the comic strips, but I also expected I them to look funny, because the whole idea of doing a comic strip is humorous...

Author: /time Magazine | Title: Painting: Kidding Everybody | 6/23/1967 | See Source »

...built a kind of visual Wurlitzer, which he called the Clavilux. By moving sliding keys, he activated a battery of projectors behind a translucent screen. He became so skillful that he was able to create what he called lumia compositions-slowly evolving, shifting, glowing abstract patterns. At the Weimar Bauhaus, Laszlo Moholy-Nagy between 1922 and 1930 devised a polished metal and clear plastic Light Display Machine. But such items remained isolated curios ities. It took the 1950s and 1960s to attract a whole spectrum of artists to the medium...

Author: /time Magazine | Title: Techniques: Luminal Music | 4/28/1967 | See Source »

Sausage Arms. But this year, showgoers spotted a new trend: a sweeping return to the 1930s, with its love of overstuffed furniture (one possible source of inspiration: late night replays on TV of the '30s movies) and the bright chrome chairs, tables and settees initiated by such Bauhaus architect-designers as Marcel Breuer and Mies van der Rohe; there was even a revival of the laminated blond wood chairs made popular by Finnish Architect Alvar Aalto in the 1940s. What made the trend significant is that such furniture comes not from the avantgarde, relatively low-volume makers such...

Author: /time Magazine | Title: The Home: Back to the '30s | 1/20/1967 | See Source »

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