Word: bauhaus
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Later, while teaching at Walter Gropius' Bauhaus in Germany, another childhood influence returned to shape the major part of Feininger's art: it was his passion for American precision, as expressed in Manhattan's illimitable grid of straight streets, its now-vanished els, old New York Central trains with diamond-shaped smokestack and steam domes of polished brass, and Hudson River sidewheelers and yachts, of which he used to build faithful models. There, working side by side with fellow fantasists, topped by Paul Klee. and fellow precisionists, notably Josef Albers. Feininger evolved the weird, airy, many-faceted...
When Hitler closed the Bauhaus in 1933. Feininger at last came home to Manhattan, to sail his model boats on the pond in Central Park as he had as a boy, and to paint in the midst of war the most joyful canvases of his career. The school-of-Paris cubism he brought back with him helped free his individual genius: he took cubism out of doors, to church and to the beach, using it to animate a vista with the intricate counterpoint of a Bach fugue. Regatta, which seems as much like the gates of paradise as Pink...
...selection of oils and watercolors at Busch-Reisinger this month looks especially good. Feininger's ocean canvases contain all the architecture of his cathedral paintings. Their crispness remains taut and concise without suffering that mechanical rigor mortis which lurked in such abundance in the ranks of the Bauhaus. If this is German art, it is German in the sense that it pursues the kind of gentle lyricism which illuminates the music of Haydn, and in that it follows the path of classical rectitude which soars so in Bach. Happily, these works are devoid of the more histrionic and sentimental aspects...
...Ludwig Mies van der Rohe, 72, architect of stark, skeletal glass and steel skyscrapers. Widely reckoned to be one of this century's three most influential architects (with Frank Lloyd Wright and Le Corbusier), German-born Mies was trained as a stonemason. He headed Germany's revolutionary Bauhaus group of artists and architects from 1930 until Nazi pressure forced him to close it in 1933, migrated to the U.S. in 1938. Popular renown came, along with occasional harsh words from Wright and other critics, with Mies's design of Illinois Tech's clean-lined campus...
...Bauhaus. Paul Klee is an artist who needs no post-scripts or excuses. His touch may become a trifle too casual at times but it never loses its integrity. Its poetry is always there to dwarf the importance of titles and methods. In short, his work stands of its own strength. A comparison of Klee's work with a wall of Kandinskys opposite, is a course in aesthetics all by itself. The similarities involved are sufficiently tangible to have linked the names of Klee and Kandinsky in the public eye. The differences, however, are more significant. Klee is the depth...