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...designer and draftsman of his generation, Ed Stone was a pioneer modernist. He early set his mark on such buildings as Manhattan's Museum of Modern Art, became one of the deftest interpreters of the International Style initiated by France's Le Corbusier and Germany's Bauhaus school. In recent years he revolted against the monotony of cityscapes composed of acres of glass façades. chrome and exposed steel. Instead. Architect Stone turned to his own great love of classic monuments and deep love of beauty. "In my own case," he says, "I feel the need...

Author: /time Magazine | Title: Art: More Than Modern | 3/31/1958 | See Source »

...style seemed more surely dead and buried than Art Nouveau, the turn-of-the-century vogue for flowing, whirling motifs and gingerbread gewgaws. Thrown out by cubist artists who viewed such effulgent detail as a bad case of artistic warts, and banned by the stripped-down school of Bauhaus modern architects, the movement that once spread across Europe and to the U.S. had been dormant for decades. Now there is new interest in Art Nouveau-particularly among the strongest proponents of modern art and architecture...

Author: /time Magazine | Title: Art: NEW ART NOUVEAU | 3/10/1958 | See Source »

...arise between the two wars was Max Beckmann, who by endlessly propounding the question "Who am I?" arrived at emblematic pictorial symbols that crowded his canvases to the bursting point, but recovered much of Germany's lost humanism. The most intense group of artists was at the Bauhaus, where the new center of architecture, with its goal of "art and technology -a new synthesis," attracted U.S. Painter Lyonel Feininger, Josef Albers, Oskar Schlemmer and Klee. There Kandinsky combined abstract geometric forms with color in Composition VIII to arrive at a new and colder art that he hoped would have...

Author: /time Magazine | Title: Art: OUT OF THE RUINS | 10/7/1957 | See Source »

Best of the contemporaries is Fritz Winter, 51, who started as a coal miner, attended the Bauhaus where he was Kandinsky's assistant, served on the Russian front and spent years in a Russian P.W. camp. His expressive Dead Forest (opposite) re-creates the world in terms of imagined structure, much as Klee did with fantasy. It is harsh and foreboding. After Germany's tortured half-century it would be misreading human nature to expect it to be otherwise...

Author: /time Magazine | Title: Art: OUT OF THE RUINS | 10/7/1957 | See Source »

...Parthenon, 2) make it a showcase of U.S. modern architecture, but let it be classical enough to fit its surroundings, 3) give it a warm, friendly, inviting atmosphere expressing U.S. democracy. For the assignment, State picked German-born Walter Gropius, 74, founder and onetime (1919-28) director of the Bauhaus, later chairman of Harvard's department of architecture, and founder of his own cooperative architectural firm in Cambridge, Mass., The Architects' Collaborative (T.A.C...

Author: /time Magazine | Title: Art: Architecture for Athena | 7/15/1957 | See Source »

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