Word: bauhausization
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...Bauhaus buildings in Tel Aviv - all 4,000 of them - are easy to spot. Built from the 1930s to the 1950s, they are curvilinear and sleek like the first-class decks of ocean liners. It's as if a fleet of dazzling white ships had sailed in from the Mediterranean and kept right on going before dropping anchor along Tel Aviv's leafy boulevards...
This is Tel Aviv's centenary year, so the boisterous Israeli seaport is in even more of a party mood than usual. And there are few better ways to celebrate the city than by strolling around its Bauhaus-style landmarks, stopping off at a few sidewalk cafés and restaurants along the way. Tel Aviv's Bauhaus buildings open the door to the mind-set of the early Zionists who went on to create the Jewish nation in 1948. They are elegant 1930s socialism writ in concrete. Many Israelis quip that the dwellings have survived in better shape than...
...settlements trying to take root in the nearby swamps and sand dunes. Most of the arriving immigrants were young, poor but fairly well educated and idealistic, and Tel Aviv's city planners sought an egalitarian architectural style in sync with the socialistic winds sweeping through Europe. They turned to Bauhaus. Founded in Weimar in 1919, the International or Bauhaus style rejected the monumental wedding cakes, dripping with decoration, that prevailed in late 19th century architecture. The movement's leaders - Walter Gropius followed by Ludwig Mies van der Rohe - sought a new holy grail in design: the unity of form...
Kandinsky didn't paint much during the war years, but in 1921 he was asked to join the staff of the forward-looking Bauhaus art school in Germany, and the chance to teach turned his creative light up full again. His theories about pure form and color became student exercises; this was when he started painting his signature hard-edged abstracts: bright, lighthearted, with their own internal logic. Black lines, now severely clear-cut, are a skeleton for vividly colored shapes on a pale background. New motifs appear: jagged saw teeth, rainbows, triangles, circles. Though none of these canvases have...
After the Bauhaus school closed in 1933, Kandinsky and his wife, Nina, went to France, settling in Neuilly-sur-Seine. Instead of being surrounded by like-minded colleagues, he was now somewhat isolated. He had been experimenting in new directions before he left the Bauhaus, but his isolation, and freedom from the need to be didactic, may explain the playfulness that breaks out in his work. He carefully mixed colors - sage, sky blue, maroon - and experimented with texture, using controlled paint splatter for a sandy effect. Nothing is still: in Colorful Ensemble (1938) the splatters are a background of dots...