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...careful balance of instruments that managed to blend and set off the tight lash of the harp-sound with a rich, creamy-textured backing. Also add one chick singer, dressed in an electric blue shalwar-kameez (that's what it's called, folks), the established jazz singer Miss Yolande Bavan...

Author: By Salahuddin I. Imam, | Title: New Rock Concert | 12/19/1968 | See Source »

...Miss Bavan, singing, handled the dramatic parts quite well, but she did not prove to have the light-but-searing, crisp touch needed for the whimsical bits...

Author: By Salahuddin I. Imam, | Title: New Rock Concert | 12/19/1968 | See Source »

...group was best on "Tobacco Leaves," a song that Miss Bavan did well. Perfectly-paced musically by Ivers, the song had a near blues-tempo, created by a softly rushing rhythm section and featuring some quivering solos on harp and sax. On "Gentle Jesus," another complex piece that switches from abstract dissonances to a version of swing, Ivers achieved a synthesis of blues and jazz on Paul Butterfield's In My Own Dream model...

Author: By Salahuddin I. Imam, | Title: New Rock Concert | 12/19/1968 | See Source »

...Madame Fleur has neither the strength nor the wit to profit by this scaled-down production. Arlen's charm-marinated score-which includes a rousing new wedding number called Jump de Broom-gains nothing from small voices onstage and a five-piece combo in the orchestra pit. Yolande Bavan as Ottilie is as pretty as she is unconvincing, and funky-voiced Josephine Premice brings a fine high style to the role of Madame Fleur. But if the 1954 House was too much, the 1968 one is too little...

Author: /time Magazine | Title: Revivals: House of Flowers | 2/9/1968 | See Source »

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