Word: bavarians
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Dates: during 1950-1959
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Berlin's critical bouquets and the resulting bustle at the box office are the best news Bavarian-born Egk has had in a long time. He got his start in 1926 when lie showed some pieces to Composer Kurt Weill, who recommended him for a job composing bits for a radio station. Nine years later Egk wrote an opera, The Magic Violin, which has become part of the regular repertory in German opera houses. Impressed, the Berlin State Opera hired him as a conductor. Under the Nazis, Egk's career throve pleasantly enough, although he got a stiff...
...Division were quick to get the word from the occupation troops: U.S. soldiers never had it so good. They can go almost anywhere and do almost anything without paying anybody. On a generous furlough schedule, they can run over to such recreation centers as Berchtesgaden and Garmisch in the Bavarian Alps on "temporary duty," stay in some of the world's most luxurious hotels...
...placid little Bavarian village of Konnersreuth last fortnight flocked thousands of men & women and uniformed G.I.s. They came, as people have come for a generation, to witness the strange Good Friday manifestations that have taken place for 25 years upon the body of a peasant woman named Therese Neumann. Each Good Friday (and on about 25 other Fridays through the year), chunky, good-natured Therese has bled from her eyes and the wound in her side, or from the stigmata in her hands and feet, or from all these at once. Eight marks have appeared on her head...
Died. Count Konrad, Cardinal von Preysing-Lichtenegg-Moos, 70, since 1935 Roman Catholic bishop of Berlin; in Berlin. Bora into an ancient Bavarian family, strapping Count Konrad gave up a diplomatic career at 28 to enter the priesthood. As bishop of Berlin, under both Nazi and Communist rulers, he defiantly spoke up for Christian principles...
Fists & Gasps. Visitor Fradier divides U.S. religion into the "hots" and the "lukewarms." The "lukewarm" services, he says, consist of "hymns sung to military marches composed by fierce Scots," or, for contrast, bucolic Bavarian waltzes. The form of the sermon, he says, never varies. "The [minister] leans on the pulpit and begins in a low voice, indistinct, sleepy. Slowly he becomes animated. He slips a hand in a pocket and tells an anecdote, two, three anecdotes, until the audience consents to smile a little. Then his tone warms up, the face of the orator turns purple, his voice becomes husky...