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...could be, however, his gestures not always matched to his lines. Miles Drake gives a lively interpretation of Gower, the narrator, although he has one of those lanky bodies which always manage to look ludicrous in a tunic. David Walter as Boult and Pamela Walter as Bawd make the brothel scene, the turning point of the play, work marvelously, affecting highly stylized but quite accurate Cockney accents. Gwendolyn Parker, both as Pericles' wife and his daughter, gives a beautifully convincing performance; she lives her role, sympathizing perfectly with both the faithful wife and chaste daughter of the exile prince...

Author: By Michael Ryan, | Title: Theatre II Shakespeare's Other Prince PERICLES, at Dunster House this weekend | 3/18/1971 | See Source »

...TAMING OF THE SHREW. Richard Burton and Elizabeth Taylor frolic through Shakespeare's salty salvo in the war between the sexes, expertly directed by Italy's Franco Zeffirelli, who mixes bawd and brio on a Renaissance palette...

Author: /time Magazine | Title: Television: Mar. 31, 1967 | 3/31/1967 | See Source »

...TAMING OF THE SHREW. Richard Burton and Elizabeth Taylor frolic through Shakespeare's salty salvo in the war between the sexes, expertly directed by Italy's Franco Zeffirelli, who mixes bawd and brio on a Renaissance palette...

Author: /time Magazine | Title: Television: Mar. 24, 1967 | 3/24/1967 | See Source »

...better performances, Taylor makes Kate seem the ideal bawd of Avon-a creature of beauty with a voice shrieking howls and imprecations. Whenever Liz strains at the Elizabethan, the camera shifts to Burton, who catches the cadences of iambic pentameter with inborn ease. As the lickerish and liquorish Petruchio, Burton pursues his Kate with a weary, beery smile that promises temptation and trouble. An inspired chase across rooftops and into piles of fleece establishes him as a kind of King Leer, the supreme embodiment of a raffish comic hero...

Author: /time Magazine | Title: Cinema: King Leer, Wild Kate | 3/17/1967 | See Source »

...FORUM. Broadway's best burlesque show has been hurled at the screen like a custard pie; but despite Director Richard Lester's extravagant cinematics, Top Bananas Zero Mostel, Phil Silvers, Jack Gilford and Buster Keaton keep 'em laughing at the good and bawd goings on in Nero's Rome...

Author: /time Magazine | Title: Television: Nov. 18, 1966 | 11/18/1966 | See Source »

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