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...scrap iron." The other is that courage has a logic (or a lunacy) all its own: "To fight for a conviction does not require heroism. Heroism begins where the meaninglessness of the sacrifice remains the last, only message the dead can leave behind." You Mustn't Bawl. The simple footslogger passes this test best in The Cross of Iron. Novelist Heinrich's officers are petty martinets, Nazi careerists, or weary Wehrmacht regulars who have long since sent their consciences on permanent leave. Steiner tangles with one of them, his Führer-minded C.O., and exposes...

Author: /time Magazine | Title: Books: Corporal's Inferno | 4/23/1956 | See Source »

Kissable Age. Father Leopold Mozart was a musician-a violinist and court composer to the Archbishop of Salzburg. Even so, he thought it precocious that "Wolferl" at the age of three should "bawl with disappointment" when his small fingers struck a discord on the clavier. At four, Wolferl scribbled down his first clavier concerto; at five, before he had had a single violin lesson, he played second fiddle in a trio. "One need not have learnt in order to play second fiddle," he informed the grownups...

Author: /time Magazine | Title: Music: Life of a Genius | 2/6/1956 | See Source »

Georgie Porgie let her bawl...

Author: By Edmund H. Harvey, | Title: A Half-Century of Harvard in Fiction | 12/1/1955 | See Source »

Pride worked, as always, calmly. One day an overexcited deck officer gave a command: "Full speed ahead!"-instead of "All engines ahead full." Pride did not bawl out the officer for using unnautical, storybook language. The admiral made his point by adopting the same tone. "Yes, and damn the torpedoes!" he cried melodramatically...

Author: /time Magazine | Title: National Affairs: PRIDE OF THE SEVENTH FLEET | 2/7/1955 | See Source »

...meetings, like his neckties, are less noisy than they used to be. Sounding brass and tinkling cymbal have been replaced by straight choir singing, with a simple organ and piano accompaniment. As the audience arrives (babies may be left in special nurseries known to the Graham staff as "bawl rooms"), Choir Leader Cliff Barrows is warming up the singers. Song books are passed around to the crowd; then Barrows invites the audience to sing, swinging a glittering trombone; Bass-Baritone Bev Shea goes into action with a few oldtime-religion songs, and the collection and an invocation by a local...

Author: /time Magazine | Title: Religion: The New Evangelist | 10/25/1954 | See Source »

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