Word: baxter
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...artist seated second from the left), is surrounded by a white line so that the staid, 17th century Dutchmen appear to be figures on a television screen. Clarke thus suggests that TV's ubiquitous eye has changed everybody's way of seeing reality. Vancouver's Iain Baxter burlesques famous artists by carrying their pictorial trademarks to logical extremes. By adding ribbons to his copy of Kenneth Noland's "And Again," he has created an authentic Baxter (shown with the artist, at right). In visual language, the work snorts that if stripes alone make a painting, then...
...musical's tall, gangling antihero, Chuck Baxter (Jerry Orbach), is an underling at Consolidated Life and looks suspiciously like a poor insurance risk. His arms seem to dangle somewhere close to his knees, and his face bears the gasp-jawed incredulity of a deep-sea diver whose air supply has just been cut off. What makes him mildly appealing is that he confides his utter lack of confidence in self-abasing little asides to the audience. It is hard to think ill of a man who thinks so ill of himself...
SATURDAY NIGHT AT THE MOVIES (NBC, 9-11 p.m.). Companions in Nightmare. Première of a made-for-TV motion picture about an experiment in group therapy that ends in murder. Stars Melvyn Douglas, Anne Baxter and William Redfield...
...around, along with its normal mobile blood-collecting unit, the nation's first auxiliary van equipped with a freeze-centrifuge apparatus. And recently Dr. Kenneth M. Brinkhous, a blood scientist at the University of North Carolina, collaborated with Dr. Edward Shanbrom of the Hyland (Los Angeles) division of Baxter Laboratories to perfect a new AHF six or seven times as strong as Dr. Pool's cryoprecipitate. The new preparation, 30 to 50 times as active as plasma, has just gone on the market...
...principle characters from the outset, he develops the triangular tension of the situation to its fullest. Falstaff (Welles), the embodiment of personal license, is dying of drink and tertiary syphillis. King Henry (Sir John Gielgud), the embodiment of public duty, is dying of guilt and accumulated strain. Hal (Keith Baxter) is only beginning to live, and must choose not only between true and substitute fathers, but between two opposed life styles. These characters move in this tangled relation with consistency and conscious purpose. Most of all, his Falstaff is aware from the first that he is fighting a hard, even...