Word: beaching
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Dates: during 1970-1979
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...cause of hygiene," boomed the p.a. at Gatwick, "we ask that waiting passengers not leave their cups and cutlery on the floor." Gatwick's beige linoleum quickly disappeared under a carpet of bright beach blankets and polyester sleeping bags. Bodies were everywhere-standing, sitting, lying on the floor. The wait for toilets was 20 minutes and for a cup of tea, half an hour. The gift shop sold out of men's disposable underwear; deodorant and razor blades were perilously short. Rows of pup tents sprang up at the airport's entrance and many passengers overflowed onto...
...last leg of a honeymoon that commenced in Tahiti, Princess Caroline of Monaco and Philippe Junot strolled on the Ocean City, N.J., beach like a couple of locals. Joining them at the surfside home of Caroline's maternal grandma, Margaret Kelly, was Princess Grace. Instead of a little Saturday night fever at a neighborhood disco, Caroline and Philippe opted for a Gay Jitterbug. The horse, that is, whose jockey, Steve Cauthen, was presented the winner's cup by the newlyweds at the nearby Atlantic City race track...
...since the 1959 Cuban revolution has Florida's glittering gold coast experienced anything quite like it: almost daily landings, from Key Biscayne to Palm Beach, of rickety wooden boats, some with homemade sails and tree trunks for masts. All are packed, gunwale to gunwale, with Haitian refugees carrying their possessions on their backs and in small wicker baskets. Fleeing high unemployment, food shortages and political repression at home, they have made the dangerous 800-mile voyage across the open Caribbean in search of a better life...
Instead one wades deeper into ever shallowing waters. The beach house belongs to a fragile and frigid family: Dad (E.G. Marshall) is preoccupied with his lawyering; Mom (Geraldine Page) is round the bend for causes never fully explained, but presumably having to do with everybody's failure to talk and touch with any real warmth. Their three daughters are a successful poet (Diane Keaton) married to a novelist who boozes because her reviews are better than his; an actress (Kristin Griffith) who can only get parts on TV; and a young woman (Marybeth Hurt) with the spirit...
...movie begins with stark images-still lifes snapped around a disused beach house, then female hands and pensive, pained faces. That style, an emblem of high seriousness, persists throughout a film one will remember mainly for its look: actors grouped in self-consciously arresting ways, costumes and sets done up in grays and beiges, the lighting (by voguish Cinematographer Gordon Willis) low-keyed and "textural...