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...practically everybody knows, One Summer of Happiness contains a nude bathing scene that has heated the blood of various American censors. The Swedish movie opened in Boston in its original form, but sure enough, several days later its scenario was discreetly "edited," while in the Beacon Hill's newspaper advertisements Kirsten, the young heroine, suddenly acquired a bathing suit. The cutting has not hurt the film much, but of course it was stupid and unnecessary. In either of its versions, One Summer of Happiness is restrained, beautiful, and totally lacking in offensiveness. It displays infinitely better artistic taste than...

Author: By Harvey J. Wachtel, | Title: One Summer of Happiness | 7/26/1956 | See Source »

...greatest progress has come in a land not otherwise noted for its leadership in the world of art: the U.S. From Beacon Hill to Nob Hill, modern architecture has squalled and tottered through its awkward, unruly, early years, but it has begun-if only begun-to mature. In Paris, architectural students eagerly follow the new work of younger U.S. architects with all the fervor that Left Bank jazz addicts reserve for Dizzy Gillespie and Satchmo Armstrong. Said a young French architect: "When we have a chance to see what your architects are doing, we have a picture of what...

Author: /time Magazine | Title: Art: The Maturing Modern | 7/2/1956 | See Source »

...appraisal of the Southern Negro's classroom plight came neither from a Northerner nor a N.A.A.C.P. propagandist; it was pronounced in 1948 by Fred Hand, then the speaker of Georgia's own House of Representatives. Hand's observation has now been expanded and documented in a beacon-bright study titled The Negro Potential (Columbia University; $3). The book, containing a statistics-studded chapter on Negro education in the U.S., was produced by Columbia's Conservation of Human Resources Project, a research task force initiated in 1950 by Columbia's President Dwight D. Eisenhower...

Author: /time Magazine | Title: Education: Separate & Unequal | 6/4/1956 | See Source »

Manon just opened at the Beacon Hill. Shows from two to ten at even number intervals. French with subtitles...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 5/4/1956 | See Source »

Diabolique still makes audiences squirm at the Beacon Hill. Horrible in a fascinating sort of way, shows are at 2,4,6,8,10, and not in between...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 3/24/1956 | See Source »

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