Word: bead
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Dates: during 1960-1969
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VERY FEW rock groups, and even fewer American ones, manage to make music that is not only complex in its musical structure but at the same time retains the visceral, frantic dynamism that one associates with true rock&roll. The Bead Game is one of the finest rock-groups in he country precisely because its music is just such an extraordinary synthesis of complexity and dynamics...
...members of The Bead Game all have a highly developed instinct for this sort of rock-kineticism. The drummer, Jimmy Hodder, always maintains a sharp edge to his drumming, which is in part a function of the extreme, pungent clarity of every one of his beats, the bassists (Lassie Sachs) consistently keeps up a furious fluttering, Bobby Gass, on organ, punctuates the music with gigantic, sudden, marching chords, constantly accenting with his left hand the lyrical melodies that he plays with his right. The lead-guitarist, John Sheldon, has the kind of rhythmic chording sense that is so conspicuously absent...
...equally the members of the Bead Game are consummate musicians all who have evolved for themselves an immensely satisfying and rich musical form. Kenny Haag writes all the songs and the members of the group then painstakingly arrange them, integrating elaborate variations on the basic tune and a dazzling array of individual musical parts to make a coherent fertile whole...
...They Did It. The Rockefeller researchers, Drs. Robert B. Merrifield and Bernd Gutte, began their experiment with a tiny bead of plastic, onto which they hooked a 124-link chain of amino acids. There are 20 different amino acids, and, because all proteins, including enzymes, are made of amino-acid chains, the acids have been recognized for many years as the "building blocks of life." The exact sequence and identity of successive acids in the ribonuclease chain were recently established, and the Rockefeller team's job was to link them, one at a time. The painstaking process involved...
...Orleans Do-Dah Band bag; Richard Shamach of Eden's Children, matched in guitar speed only by Danny Kalb and in virtuosity by Mike Bloomfield; Peter Wolf and J. Geils, who between them have kept blues alive in Boston since Al Wilson left; the old rhythm section of the Bead Game, Lassic Sachs and Jimmie Hodder, articulate and inventive musicians each; David Mowry, a truly fine singer and guitarist; Livingston Taylor and Bob Telson, both fine composers. There are others who are top-notch players, some good lyricists and a great number of hip people. Why didn't it work...